National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Mythical Method in T. S. Eliot's "The Waste Land"
Straková, Kateřina ; Quinn, Justin (advisor) ; Vichnar, David (referee)
By the use of mythical method, T. S. Eliot created a pattern of archetypal imagery in his poem The Waste Land (1922). This work focuses on the various interpretations of The Waste Land written from the perspective of archetypal criticism. Eliot's critics frequently interpreted the poem as a modern cultural artefact testifying to the ritual of death and rebirth. Examination of the approaches towards archetypal imagery contained in Eliot's work enables an exploration of the main thematic concepts of this literary composition - namely the lack of vital energy and longing for renewal. The poem incorporates archetype-based images into its symbolic frame, and at the same time exposes the sources of these variations on primal ideas. Vegetation myths and the Arthurian legends are recognized by the archetypal critics as the main references for the thematic structure of Eliot's poem. The archetypal analysis of Eliot's work was prevalent in the 1950-70s. Critics expanded upon the idea of the desired renewal of productive forces expressed in the poem. They identified this concept as anthropological in its origin, and traced the influence which James G. Frazer's theories about primitive ritual had on The Waste Land. Eliot coined the term "mythical method" in his essay on James Joyce "Ulysses, Order, and Myth"...
Mythical Method in T. S. Eliot's "The Waste Land"
Straková, Kateřina ; Quinn, Justin (advisor) ; Vichnar, David (referee)
By the use of mythical method, T. S. Eliot created a pattern of archetypal imagery in his poem The Waste Land (1922). This work focuses on the various interpretations of The Waste Land written from the perspective of archetypal criticism. Eliot's critics frequently interpreted the poem as a modern cultural artefact testifying to the ritual of death and rebirth. Examination of the approaches towards archetypal imagery contained in Eliot's work enables an exploration of the main thematic concepts of this literary composition - namely the lack of vital energy and longing for renewal. The poem incorporates archetype-based images into its symbolic frame, and at the same time exposes the sources of these variations on primal ideas. Vegetation myths and the Arthurian legends are recognized by the archetypal critics as the main references for the thematic structure of Eliot's poem. The archetypal analysis of Eliot's work was prevalent in the 1950-70s. Critics expanded upon the idea of the desired renewal of productive forces expressed in the poem. They identified this concept as anthropological in its origin, and traced the influence which James G. Frazer's theories about primitive ritual had on The Waste Land. Eliot coined the term "mythical method" in his essay on James Joyce "Ulysses, Order, and Myth"...
T. S. Eliot and William Shakespeare: The Dynamics of Influence
Lakhno, Maryna ; Quinn, Justin (advisor) ; Beran, Zdeněk (referee)
4 ABSTRACT T. S. Eliot once remarked: "I have tried to point out the importance of the relation of the poem with other poems by other authors and suggested the conception of poetry as a living whole of all the poetry that has ever been written."1 The interpretation of his poetry depends on literary tradition and its understanding. By alluding to dead authors, Eliot created an oeuvre that can be fully understood only through research. He also contrasts the contexts of the past and present, and reinforces the importance of borrowing in the creative process. One of the authors that recurs in Eliot's writing is William Shakespeare. Eliot paid tribute to the Elizabethan playwright through the use of dramatic monologue, quotations and allusions to his themes and motifs. In this way, he expresses his longing for English cultural heritage, as Shakespeare is a symbol of Englishness. This bachelor thesis explores the influence that Shakespeare had on both Eliot's literary criticism and poetry, primarily in the period from the 1910s to the 1930s. With especial emphasis on Hamlet and Coriolanus, the thesis explores those qualities which Eliot emphasized and which would prove important for his own work, above all "The Love Song of Alfred J. Prufrock," The Waste Land and Four Quartets, as well as minor poems such as...

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