National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Modern history of Aero cinema
Šilarová, Hana ; Czesany Dvořáková, Tereza (advisor) ; Klimeš, Ivan (referee)
This work deals with the recent history of the film theatre Aero, from the year 1998, when it was taken over by the citizens association Pro-Aero, Company for the renewal and development of Aero. The first part describes in detail the growth of this art cinema, the conception of its dramaturgy based on short festivals and original events. The work also deals with the gradual growth of Aero's regional network; its affiliation with other cinemas (Bio Centrál in Hradec Králové, Světozor and Bio Oko in Prague), as well as with the distribution of movies through the company Aerofilms. The second part analyses the promotional strategies of Aero and its sister companies which involve the use of the marketing instruments of 4P, the evolution of ticket prices and of box office rates. Keywords: film, film distribution, film history, Aero, Světozor, Bio Oko, alternative cinema, club cinema, marketing mix, 4P
Alternative programs of art house as a way to increase its attractiveness
Stránská, Alžběta ; Hanzlík, Jan (advisor) ; Tyslová, Irena (referee)
This bachelor thesis deals with the strategy and the activitites of art cinemas, specifically of the Prague cinemas Aero, Svetozor, Oko and with the related distribution company Aerofilms. These subjects determine the most significantly the trends on the Czech cinematographic scene and this bachelor thesis will focus on the specific examples of these trends. The theory part describes the ways that art cinemas choose to differentiate from their competitors and to increase their prestige and attendance at the same time. These ways concern mostly the creation of an attractive program and the effort to achieve the identification of visitor with cinema -- his loyalty. The art cinema and the distribution company offer the value added to the film experience or even shift this experience beyond the boundaries of a traditional concept of cinema. The practical part focuses on the chosen examples of alternative programs. It describes the circumstances about their formation, the original purpose and goals, the practical way of their organization and realization. Another objective of this part is to outline the future visions and to evaluate the importance and the success of these projects.
Dramaturgy and financing of the art house cinema Svetozor
Tůmová, Barbora ; Hanzlík, Jan (advisor) ; Tyslová, Irena (referee)
This Bachelor thesis analyzes the phenomenon of art house cinema with a focus on its programming and financing. Its aim is to provide an overview of the historical and contemporary perceptions of art film, the emergence of art house cinema and the various possibilities of funding through public or private support. The practical part of this thesis submits detailed insights into the programming and financing of Svetozor, an art house cinema in Prague. The text demonstrates that the attraction towards art house cinema is not only due to the specific programming of art films and furthermore that the presentation of alternative culture does not necessarily require financial dependence on public funds.

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