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Oldtown's gradual (NK ČR, XVII.A.40), 1561-1567, from the manufactory of Jan Taborsky of Klokotska Hora
Součková, Ema ; Kubík, Viktor (advisor) ; Jarošová, Markéta (referee)
Oldtown's gradual The aim of this work is a monographic elaboration of the Oldtown's gradual (XVII.A.40), from 1561 to 1567, in the context of the work of Jan Taborsky of Klokotska Hora, with the emphasis on connotation of Žlutice gradual. The work elaborates and critically appraises the literature about the genesis and decor, deeply analyses its illuminations (through formal and iconographic analysis) and gives basic orientation in questions of analogies of its decor. Another goal of this work is a summarization of the decor of Oldtown's gradual and elaborated analysis of its illuminations. Oldtown's gradual is one of the best Renaissance manuscripts. The penman was Jan Taborsky of Klokotska Hora; chapter 2.1. deals with his life and production. Matous Ornys of Lindperk was the limner; chapter 2.2. deals with his work. Indisputably, he belongs to the best limners of the 16th century. The decor of the gradual is described in the chapter 4.2. Illuminations of gradual have conventional scheme of choral manuscripts. A lot of analogies are to be found in the medieval and also Renaissance manuscripts. There are elements of medieval literary paintwork, but also fully Renaissance elements: perfect linear perspective and high-quality scenery. Oldtown's gradual is one of the most beautiful and one of the...
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Oldtown's gradual (NK ČR, XVII.A.40), 1561-1567, from the manufactory of Jan Taborsky of Klokotska Hora
Součková, Ema ; Kubík, Viktor (advisor) ; Jarošová, Markéta (referee)
Oldtown's gradual The aim of this work is a monographic elaboration of the Oldtown's gradual (XVII.A.40), from 1561 to 1567, in the context of the work of Jan Taborsky of Klokotska Hora, with the emphasis on connotation of Žlutice gradual. The work elaborates and critically appraises the literature about the genesis and decor, deeply analyses its illuminations (through formal and iconographic analysis) and gives basic orientation in questions of analogies of its decor. Another goal of this work is a summarization of the decor of Oldtown's gradual and elaborated analysis of its illuminations. Oldtown's gradual is one of the best Renaissance manuscripts. The penman was Jan Taborsky of Klokotska Hora; chapter 2.1. deals with his life and production. Matous Ornys of Lindperk was the limner; chapter 2.2. deals with his work. Indisputably, he belongs to the best limners of the 16th century. The decor of the gradual is described in the chapter 4.2. Illuminations of gradual have conventional scheme of choral manuscripts. A lot of analogies are to be found in the medieval and also Renaissance manuscripts. There are elements of medieval literary paintwork, but also fully Renaissance elements: perfect linear perspective and high-quality scenery. Oldtown's gradual is one of the most beautiful and one of the...
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