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Tinder a další seznamovací aplikace aneb proč dnes hledáme partnera on-line
STUHLOVÁ, Barbora
This thesis deals with the problematics of usage of dating applications between young people of the Czech republic and their views on partnerships. The introduction is dedicated to theoretical findings and basic terminology related with on-line dating. The first half of the theoretical part introduces the reader to different views on partnerships and their core pillars based on psychological theories. In connection with these attributes, the second part of the thesis concentrates on theories dealing with transformations in present relationships. Separate chapter is devoted to millennials - known as generation Y. Second part of the theoretical part brings the reader closer to understanding how meeting and getting acquainted with someone works in the cyber world. It analyses its evolution and existing research on the topic. At the same time it deals with communication and self-presentation of users on dating applications and dating websites. Last but not least the reader is acquainted with on-line dating applications Tinder and Grindr, whose users were my respondents. The practical part is dedicated to the research itself, whose main task was to determine the role the dating applications play in establishing relationships in a young persons life. User activity of respondents as well as their experience and attitude towards dating application was revealed using a semi-structured interview. At the same time the research shows the views and opinions of the respondents on partnership itself.
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Rococo fashion on the portraits of the noblewomen in the Czech Lands and their visual self-presentation
Vlášková, Jana ; Šedivá Koldinská, Marie (advisor) ; Kutílková, Dagmar (referee)
This bachelor thesis explores rococo clothing of noblewomen in Czech Lands on the basis of representation portraits and other contemporary paintings. The first section summarizes the secondary literature using the basic facts of rococo fashion development. The next section describes a portrait as a historical information source. The last, crucial section presents detailed descriptions of portraits and documents the universal and specific features of women's fashion. The result is a set of typical attributes of aristocrats rococo clothing in Czech Lands from the thirties to the eighties of the 18th century.
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Identity in the age of Internet communication
Píšl, Radek ; Duffková, Jana (advisor) ; Sládek, Jan (referee)
This diploma thesis seeks to describe the basic concepts of sociological approaches to identity as well as related concepts from the sociological reflections on the Internet. First, the thesis introduces the fundamental ideas of identity theories, as they were formulated by the authors of symbolic interactionism in the first half of the 20th century. Subsequently, the key sociological concepts of individual and collective identities are described in more details and in this context there is also reminded the social construction of reality theory, that provides an explanation of the connection between the individual and collective levels of analysis. Finally, this thesis discusses concepts reflecting the relationship between individual identities and communication on the Internet, especially within so-called virtual communities, and also introduces concepts, which seeks to characterize the role of Internet in the processes of collective identities formation.
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Acculturation Strategies in Musical Self-presentations of Immigrants in the Czech Republic
Skořepová, Zita ; Jurková, Zuzana (advisor) ; Stavělová, Daniela (referee)
This thesis is based on my research dealing with musicians - members of different immigrant minority communities, who explicitly identify themselves with their ethnicity and the region of their origin. The musicians mention that they come, e.g., from Cuba, Ukraine or generally from "Central Asia" and the music offered to the audience is presented as "Cuban", "Ukrainian folk" or "traditional music of Central Asia". The subject of study are their concerts, regarded as musical occasions - performances - with defined modes of participants' interaction. In the Goffmanian sense, the meaning of each selfpresentation is determined by the behavior of the musicians during the performances, and the repertoire, place and occasion of the event and type of audience are considered as "bearers of sings". In their self-presentations, the musicians expose in various ways who they are, where they come from and in various ways present the musical (not only) culture of their origin. Inspiring myself by typology of acculturation strategies formulated by John W. Berry (Berry et al., 1997), I try to identify acculturation strategies based on factors determining the character of the respective musical self-presentations of the immigrants. When can we observe behavior according to the principles of integration on the one...
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Social and cultural interpretations of photography
Makovcová, Hana ; Balon, Jan (advisor) ; Kotík, Michal (referee)
The bachelor's paper Social and Cultural Interpretation of Photography is concerned with social aspects of photography, primarily the way photographs are read, their relation to the social sciences, and the transformation of their functions, from their development to the present time, primarily in relation to the individual concept of the photograph. The text briefly outlines the definition of a photograph as a technical image and the related act of photography, and introduces us to the possibilities of its social examination through visual sociology via visual social facts. It shows photography to be a form of social ritual, a tool for preserving the present and a confirmation of an event, as well as a means of power. It presents the impact of technical reproduction on the mass dissemination of images and the related changes in the relationship to images. It shows the transformation of analogue photographs archived in family albums as a means of preserving family memory and biography, to digital photography that assumes a new role of self-presentation, primarily thanks to the new way of archiving in the virtual environment of social networks, thereby presenting a related theory of individualization.
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Emil František Burian. Self-presentation, representation and memory
STŘELBOVÁ, Tereza
This diploma thesis reveals the processes of shaping the image of Emil František Burian, the theater director, composer, journalist and playwright in three key headings. The first heading explains the principles of self-presentation and choice of characteristic means to build its external image in the changing personal attitudes and social development in the 30th - 50 years of 20th century. The second heading shows the coordinates of cultural policy communist regime and monitors the construction of public image representative of official socialist culture. Both headings are mainly based on a detailed analysis of Burian's theater activity, broadcasting activities and articles in professional and social printing. The third heading of qualification work pays attention to creating individual memory of a systematic effort to build a "cult of personality" of E. F. Burian. Interpretation biography and memories of actors, directors, journalists and politicians attempts to profile the professional and private life of this artist.
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Ancient motifs in the world of the last Rosenbergs
KINDLMANN, Petr
The diploma thesis deals with the forms of self-representation of the last Rosenbergs. They were using the representations to support their political positions. The paper is based on a study of the panegyrics and symbolic decorations of the Rosenbergs' castles that were used to present the virtues of the Renaissance nobleman. The study analyzes Roman motifs of the Rosenbergs' propaganda. It tries to capture the views of particular individuals on selected ancient motifs from representation of the Rosenbergs. Ancient exempla presented the Rosenbergs by using the language of symbolic communication as Christian knights.
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Forms, method and fundamentals themselves - presentation alleged in life university students.
FILIPOVÁ, Darina
Self-presentation is understood as a way how to inform other people about one´s personal attitudes, the aims of one´s behaviour and total life heading of a person. Together with self-knowledge, self-understanding and self-realisation is a part of wider concept of assertiveness. Self-presentation also characterises a person´s lifestyle and shows the ability to present oneself convincingly, clearly, autenticly and effectively to target audience or public. Self-presentation and self-promotion is a lifelong process showing some specifics in forms, methods and principles in university students. This thesis should sum up the ways of appropriate self-presentation of university students and show them that understanding forms, methods and principles of self-presentation can bring success in both university and personal lives. I used a quantitative research techniques, group interviews, individually guided interviews and questionnaires. University students are aware of self-presentation but they mostly use it unwittingly. Students do not use all principles of self-presentation forms so as they could affect the environment both intellectually and emotionally. To broaden their knowledge of appropriate self-presentation, I would introduce seminars where they could learn to communicate and behave assertively.
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Job Applicant`s Self-Presentation in Written Form Before an Interview
NEKOLOVÁ, Adéla
The graduation thesis deals with the function of a CV in the process of finding an employment, particularly in the period before a face-to-face job interview. The subject matter is observed from the point of view of the employer and of the job applicant as well. In the theoretical part, the crucial terms are explicated and the preparations before the appointment are described. The practical part of the thesis confronts and observes theoretical information taken from a sample that consisted of sixty real CVs. Data in the theoretical part is compared with real facts. On the basis of this confrontation, conclusions concerning various categories as well as the whole issue are made.
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