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Francis Poulenc - Piano work
Františová, Karolína ; KASÍK, Martin (advisor) ; KAHÁNEK, Ivo (referee)
My bachelor’s thesis titled "Francis Poulenc - piano work" is divided into
three main chapters. The first chapter focuses on the composer's life in the
contemporary context. The project also covers mention artistic tendencies in
France during the 20th century and the associated art group Les Six . The second
chapter briefly describes Poulenc's piano language, its expressive and technical
resources. I deal mainly with individual works, their history, complements the
Czech translation of French titles at the complex. For some enclose a
recommendation for the degree of maturity of the piano are determined. In the
third chapter, I mention a chronological overview of solo, chamber and orchestral
piano works . Using this job, I would like to draw attention to the piano works of
Francis Poulenc , which is not broached in concert programs on Czech stages.
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Flute creation of members of the group Les six
Kozáková, Adéla ; PIVODA, Radomír (advisor) ; HLAVÁČ, Jiří (referee)
The aim of the present thesis is to analyze the works of the composers belonging to the groupe referred to as Les Six (G. Auric, D. Milhaud, L. Durey, A. Honegger, F. Poulenc a G. Tailleferre), with particular reference for the compositions written for flute. In the opening part of the text, we concentrate on delimiting the cultural and artistic context in which the group in question was established, including the musical (collaboration with E. Satie) and literary (J. Cocteau) influences. In the following part, we present a brief individual chapter on each of the members, provide a fundamental information on his/her life and work and propose a more detailed analysis of the compositions for flute.
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Worldwide choral Work and Capella by Francis Poulenc
Louženský, Petr ; KOUTNÍK, Tomáš (advisor) ; MÁTL, Lubomír (referee)
This thesis is a brief study of profane a capella works for mixed chorus by Francis Poulenc, the well known componist of the first half of twentieth century. On one hand the work descriebes his basic living moments important for his life and artistic work. On the other it analyze his profane works which was written for the mixed chorus a capella, i.e. without any instrumental accompaniment, reflecting mainly its musical form, harmonical structure and his technigue of composition.
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