|
|
Biography and Works of Printer and Wood-Cutter Michael Peterle (†1588)
Tvrzníková, Jana ; Voit, Petr (advisor) ; Veselá, Lenka (referee)
Thesis about life and work of a printer and a woodcutter Michael Peterle is focused mainly on his assumed woodcutting activity (he was active between years 1562-1588). It is based on following assumption: although Michael Peterle did not sign his woodcuts, he illustrated portion of his prints. His printing office produced multitude of topical compositions and some interesting illustrated books. Photodocumentation and description of woodcutting illustrations and decoration (according to Soupis tisků Michaela Peterla staršího a jeho nástupců by Pravoslav Kneidl and more recent sources) was created during writing of this thesis. Attention was also focused on context of usage of illustrations. Afterwards Illustrations and decoration of Peterle's competition in the Czech Republic and Germany were examined. Conducted research showed, that Michael Peterle was not woodcutter, but only a colorist and a printer. This thesis provides another view on printing production in the second half of the 16th century. Key words: Peterle, Michael; printer; bookprinting; woodcut; illustration; decoration
|
|
|
Venetian influances on the Boccaccio Boccaccino's work
Jiráková, Hana ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
(in English) The key theme of my thesis are venetian influences on the Boccaccio Boccaccino's work, who was one of the most important exponents of the Cremonese school of painters. Initially he worked in Genoa, Cremona and Milan and he was influenced by the painters as Leonardo, Bramantino and Boltraffio. In the years 1497-1500 Boccaccino is documented in Ferrara. In this period he executed so-called tondo Gronau, The Christ on the way to Calvary, The Virgin and Child, now in Boston, The Virgin and Child, now in Padua, The Adoration of the Shepherds, now in Naples and Dead Christ supported by an Angel. This works show the influence of Bramantino, umbrian school but also early influence of venetian art. In 1500 or 1501 he painted the altarpiece with Virgin and Child with Sts Peter, Michael, John the Baptist and John the Evangelist for the church of S. Giuliano in Venice. Models of this composition are the S. Cassiano altarpiece of Antonello da Messina and Virgin and Child with Saints which Giovanni Bellini executed for the church of S. Giobbe. Boccaccino's image in S.Giuliano is also inspired by Ercole de'Roberti and Lorenzo Costa. His colours show the influence of Giorgione. In 1506 is Boccaccino documented in Venice but also in Cremona. In the years 1500-1506 he stayed probably in Venice, but he...
|
|
|
The Proposal to improve the communication strategy VOŠ Michael
Hrubešová, Dominika ; Postler, Milan (advisor) ; Jaroš, Radek (referee)
This bachelor thesis deals with the communication strategy of VOŠ Michael. The aim of this work is to define the current communication strategy of the school, to find its shortcomings and to suggest possible ways for improvement. Chapter One concerns the nature of marketing communication and everything in relation to this concept, the definition of the communication mix, modern trends, marketing research and market segmentation. Chapter Two presents the examined subject and describes its communication strategy. Chapter Three suggests the ways to improve communication. The conclusion summarises the findings.
|
|
|
Biography and Works of Printer and Wood-Cutter Michael Peterle (†1588)
Tvrzníková, Jana ; Voit, Petr (advisor) ; Veselá, Lenka (referee)
Thesis about life and work of a printer and a woodcutter Michael Peterle is focused mainly on his assumed woodcutting activity (he was active between years 1562-1588). It is based on following assumption: although Michael Peterle did not sign his woodcuts, he illustrated portion of his prints. His printing office produced multitude of topical compositions and some interesting illustrated books. Photodocumentation and description of woodcutting illustrations and decoration (according to Soupis tisků Michaela Peterla staršího a jeho nástupců by Pravoslav Kneidl and more recent sources) was created during writing of this thesis. Attention was also focused on context of usage of illustrations. Afterwards Illustrations and decoration of Peterle's competition in the Czech Republic and Germany were examined. Conducted research showed, that Michael Peterle was not woodcutter, but only a colorist and a printer. This thesis provides another view on printing production in the second half of the 16th century. Key words: Peterle, Michael; printer; bookprinting; woodcut; illustration; decoration
|
|
|
Venetian influances on the Boccaccio Boccaccino's work
Jiráková, Hana ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
(in English) The key theme of my thesis are venetian influences on the Boccaccio Boccaccino's work, who was one of the most important exponents of the Cremonese school of painters. Initially he worked in Genoa, Cremona and Milan and he was influenced by the painters as Leonardo, Bramantino and Boltraffio. In the years 1497-1500 Boccaccino is documented in Ferrara. In this period he executed so-called tondo Gronau, The Christ on the way to Calvary, The Virgin and Child, now in Boston, The Virgin and Child, now in Padua, The Adoration of the Shepherds, now in Naples and Dead Christ supported by an Angel. This works show the influence of Bramantino, umbrian school but also early influence of venetian art. In 1500 or 1501 he painted the altarpiece with Virgin and Child with Sts Peter, Michael, John the Baptist and John the Evangelist for the church of S. Giuliano in Venice. Models of this composition are the S. Cassiano altarpiece of Antonello da Messina and Virgin and Child with Saints which Giovanni Bellini executed for the church of S. Giobbe. Boccaccino's image in S.Giuliano is also inspired by Ercole de'Roberti and Lorenzo Costa. His colours show the influence of Giorgione. In 1506 is Boccaccino documented in Venice but also in Cremona. In the years 1500-1506 he stayed probably in Venice, but he...
|
guest ::
