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Chamber music of Bohuslav Martinů in his paris period
Sedlář, Patrik ; MATOUŠEK, Bohuslav (advisor) ; KUDELÁSEK, Pavel (referee)
This bachelor thesis mainly should help to examinate the compositional style of Bohuslav Martinů by analyzing his Sonata for flute, violin and piano, but also to orientate in Bohuslav Martinů chamber music written during his Paris period.
The thesis is divided into five chapters. The first chapter, which is divided into two subchapters, summarizes live and work of Bohuslav Martinů and his chamber music during his Paris period. Each following chapter contains harmonical and tectonic analysis of individual sonata movements. These chapters are also divided into subchapters (the first subchapter is always providing general characteristic and basic information about particular movement). Each of subchapters brings the analysis of selected big parts of sonata movements.
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The Opening of the Wells (Bohuslav Martinů)
Charouzová, Lucie ; FRIČOVÁ, Marie (advisor) ; ELIÁŠOVÁ, Bohumíra (referee)
The goal of the bachelor thesis is to acquainted with the own ritual of opening of the wells to create an idea of its forms in change over the time. The creators of the cantata The opening of the Wells Miloslav Bureš and Bohuslav Martinů will be introduced and the sources of their inspiration for the work will be explained. Another aim of this work was to create own choreography on this cantata in Primary Art Schools and in two different forms. First, to create a choreography with only a group of girls in the plein using reproduced music, and then with a group of professional and children's performers in the church accompanied by choir. I attempted to record this choreographic work with video, photos and written form. Finally, we reviewed the positive and negative aspects of the entire creative process.
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Viola in the work of Bohuslav Martinů
Kocna, Jakub ; PĚRUŠKA, Jan (advisor) ; UNTERMŰLLER, Karel (referee)
This bachelor thesis´subject is the czech composer Bohuslav Martinů and his most important pieces for viola. The first chapter depicts his life´s journey from Polička to Europe and America. It also mentions his most memorable works. The second part of the thesis focuses on four of his works for viola: Rhapsody-concerto for viola and orchestra, Sonata for viola and piano and two duets for violin and viola. Each piece is briefly described and analyzed.
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Surrealism and dadaism in operas of Bohuslav Martinů
Cukr, Lubor ; OTAVA, Martin (advisor) ; ŠIMERDA, Tomáš (referee)
This work presents the influence of avant-garde, mainly Surrealism and Dadaism, in operatic works of Bohuslav Martinů. First you find a brief overview of composer’s life focused on operatic works and also on the surroundings in which he was composing. Next part describes the period of avant-garde which has the main impact on the composer in the period when he starts to create on the field of musical theatre and influenced his thinking and perception at the artistic creation. The largest part of this work is a brief description of each opera of Martinů and the analysis of the situation connected to the avant-garde. At the end you can find the results of the impact of Surrealism and Dadaism on the composer’s creation.
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A Harpsichord in the works of Bohuslav Martinů
Kubátová, Jarmila ; KNOBLOCHOVÁ, Monika (advisor) ; ŽĎÁRSKÁ, Petra (referee)
The first chapter of the thesis "A Harpsichord in the works of Bohuslav Martinů" introduces this significant Czech composer. Chapter two presents the female interpreters of Martinů's harpsichord works. Marcell de Lacour and Antoinette Vischer, two female harpsichord players who commissioned Martinů to compose works for harpsichord, are discussed here as well as two Czech female harpsichord players Zuzana Růžičková and Monika Knoblochová, who recorded complete Martinů's harpsichord work. The list of Martinů's harpsichord compositiones is summarised in chapter three. The formal and harmonic analysis of two the most important compositions Sonate pour Clavecin and Deux Impromptus are included.
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String quartets of Bohuslav Martinu
Chudý, Karel ; PANOCHA, Jiří (advisor) ; BERNÁŠEK, Václav (referee)
The following thesis is working on the string quartets by Bohuslav Martinů. The Autor focuses on ?Zero?, The First ?French?, 2nd, 4th and 5th String quartet and on Concerto for string quartet with orchestra. In the thesis is a comprehensive analysis, but mainly focused on working with autograph score, comparing with printed score, and partly with recordings. Also is focused on the interpretative notes.
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Interpretative access to songs by Bohuslav Martinů and Vítězslana Kaprálová.
Laubová, Lucie ; HAJÓSSYOVÁ, Magdaléna (advisor) ; MÁROVÁ, Libuše (referee)
The aim of this study is to provide an artistic view of the song cykle by Bohuslav Martinu´s Three Chansons for the Red Seven" and the Red Seven " and the song Vítězslava Kaprálová´s "Goodbye and farewell".
In my work, I summarise the analytical opinion with musical and practical attitude and provide an artistic view to these vocel settings, which often remain neglected by both, artists and musicologists.
I grasp the work from perspective of the artist, who is trying to capture the most authentic concept of the vocal compositions by studying compositional and personal styles of the authors in order to come to a conclusion of their imaginative interpretation as closely as possible to.
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Bohuslav Martinů: Suite Concertante for violin and orchestra
Takahashi, Hiroko ; MATOUŠEK, Bohuslav (advisor) ; KOTMEL, Bohumil (referee)
The topic of the present thesis is Suite Concertante for violin and orchestra composed by Bohuslav Martinů. I have attempted an inguiry into the eventful life of Bohuslav Martinů ( 1 st chaper), into the background and details of origin of the individual versions of the piece ( 2 nd chapter) and into other pieces composed by Martinů for violin ( violin concertos, sonatas, other pieces for violin and piano and lost works )(4 th chapter),.I have also analyzed the structure of Suite Concertante for violin and orchestra and compared the two versions ( 3rd chapter).I have used my own interpretation of the second version during the graduation concert on February 7 th 2015. I am convinced that studying materials regarding Bohuslav Martinů as well as performing of the second version during the graduation concert will be a source of inspiration for my further interpretations of Suite Concertante and other works by Martinů.
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