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The artistic personality of Karel Zeman
KOŠOVÁ, Jana
The diploma thesis named The Artistic personality of Karel Zeman consists of theoretical and practical part. Theoretical part includes basic information about the artist Karel Zeman and his works. It deals with inspirational influences that had impact on his creations and puts them into the international context. It is also focused on finding the effects of Zeman's work at contemporary cultural environment. The practical part of this diploma thesis consists of three methodical papers which are made for selected films of the director Karel Zeman. These papers are in the concertina book's form, they offer some basic information about the selected film. They also comprise creative tasks and writing assignments to think about. Graphical design of methodical papers was created using vector graphics in Adobe Illustrator.
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Media image of the film director Karel Zeman in 1945-1989 in czech media
Veselá, Tereza ; Köpplová, Barbara (advisor) ; Štoll, Martin (referee)
The topic of the thesis is work of Karel Zeman - the important Czechoslovakian film director of the second half of 20th century and his media image in the Czech media of that period. Karel Zeman is one of the leading figures of post-war cinematography, especially one of it's branch - animated film. Karel Zeman is famous for his feature films Journey to the Beginning of Time, The Fabulous World of Jules Verne and The Fabulous Baron Munchausen, in which he combined performed and animated parts. His work is so specific and so tied together with the director that after his death nobody was able to continue in it. The thesis describes in chronological way Karel Zeman's work, from the first short animated films over the most famous featured combined films to the featured animated fairy tales for children. For understanding of the whole context the thesis briefly describes beginning of animation in the world and in Czechoslovakia and also continuously touch important changes in Czechoslovakian cinematography, which directly affected Zeman's work (post-war situation, nationalization of cinematography). The thesis also touches Karel Zeman's personal live. The base of the thesis is focused on characterization of the particular films - short description of the plot, art processing (visual conception of the...
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