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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Speech of Samizdat feuilleton. Analysis of Československý fejeton publihed in the 2nd half of 1970s in Edice Petlice
 VITOŇOVÁ, Barbora
The diploma thesis is deals with the analysis of four editions of the samizdat periodical Československý fejeton/fejtón [Czechoslovak feuilleton], a project of the authors of inedited (illegal) literature made by close friends of Ludvík Vaculík in the second half of the 1970s. The individual contributions were viewed as representation of the contemporary expression of unofficial authors in their time. Moreover, these authors were persecuted by the regime of the totalitarian Czechoslovak state. Their contributions show the experience of everyday life and the authors' deeply subjective view of the totaliarianism. They also show the timeless philosophical-ethical considerations and formation of the specific institutionalized speech of dissent. The goal of this thesis is to define the relation of these contributions to the next artistic work and activities of these authors, especially in the point of view of the samizdat journal Obsah [Content]. The thesis includes a reminder and a general and partial interpretation of the political events of the given time. The representatives of inetided (illegal) literature on the political events not only with their statements, but also with their artistic work, which was strongly influenced by both content and form. There was created a project of inedited literature to help expand the space of parallel culture and thus to resist ideological cultural and political norms.
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Speech Acts in the Play Owners of the Keys by Milan Kundera
 SVOBODA, Marek
This thesis deals with the theory of speech acts which is based mainly on analysis of speech and its function in communication. We use speech not only to convey something but to also do something, to change the state of things around us and to accomplish specific goals. Speech acts in a literary piece are then analyzed on theoretical basis, specifically in Milan Kundera's dramatic play Majitelé klíčů.
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