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Jiri Trnka's Scenography in the National Theatre
Vöröšová, Markéta ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
Jiri Trnka (1912 - 1969) ranks among the foremost representatives of Czech modern art in the 20th century and alongside the most remarkable protagonists of the visual art scene over a period ranging from the late 1930s through the end of the1960s. He stood out within that movement for his multiple talents, as a draughtsman, book illustrator, puppet designer, painter, animated film-maker, sculptor and stage designer. He achieved admirable success in these fields of activity. In the early 40s a new prospect opened up for him connected with work in theatre, as he took up the post of stage designer at the National Theatre in Prague, an assignment which enabled him to put to use his specific talent for stagecraft. He created 13 stage decorations together. Trnka was able to create unforgettable productions thanks the cooperation with Jiri Frejka or Karel Dostal. I documented and explained Trnka's work in the context of the Nation Theatre during the Second World War. I defined his style in the relation to his contemporaries in the end of work. KEY WORDS Jiri Trnka, National Theatre, set designer, scenography, stage decoration, costume, properties, scene, 40s, space, stage, style, set, constructed set, stage design, didascalia, theatrical space, animated film.
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Dialogue between illustration and animated movie
TONKOVÁ, Magdalena
The diploma thesis Dialogue between the illustration and the animated film consists of two parts, the theoretical and the practical one. The theoretical part deals with illustrations and with selected illustrators of the 20th-21st century in Bohemia, who worked and created in a short animated movies. The main chapter will be therefore devoted to Jiří Trnka, Adolf Born, Jiří Šalamoun and to Jan Švankmajer. The practical part follows the theoretical one and its goal is the artistic processing of illustrations. They might be used in the preparation of an animated film.
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Jiri Trnka's Scenography in the National Theatre
Vöröšová, Markéta ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
Jiri Trnka (1912 - 1969) ranks among the foremost representatives of Czech modern art in the 20th century and alongside the most remarkable protagonists of the visual art scene over a period ranging from the late 1930s through the end of the1960s. He stood out within that movement for his multiple talents, as a draughtsman, book illustrator, puppet designer, painter, animated film-maker, sculptor and stage designer. He achieved admirable success in these fields of activity. In the early 40s a new prospect opened up for him connected with work in theatre, as he took up the post of stage designer at the National Theatre in Prague, an assignment which enabled him to put to use his specific talent for stagecraft. He created 13 stage decorations together. Trnka was able to create unforgettable productions thanks the cooperation with Jiri Frejka or Karel Dostal. I documented and explained Trnka's work in the context of the Nation Theatre during the Second World War. I defined his style in the relation to his contemporaries in the end of work. KEY WORDS Jiri Trnka, National Theatre, set designer, scenography, stage decoration, costume, properties, scene, 40s, space, stage, style, set, constructed set, stage design, didascalia, theatrical space, animated film.
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Legends of the Benesov region (Legends between the silverfroth Vltava and the stony Sazava)
ZÍVALOVÁ, Petra
The diploma thesis consists of two main parts {--} theoretical and practical. The theoretical part deals with a character of collected tales with regard to a region and explains the meaning of the word ``legend{\crqq}. Furthermore it summrizes briefly what is an illustration and targets four illustrators of Old Czech Legends by Alois Jirásek (Věnceslav Černý, Antonín Procházka, Mikoláš Aleš and Jiří Trnka). At the conclusion of this part the illustration processing itself is inscribed. Creating a set of illustrations {--} the practical part {--} is the produce of the thesis. A supplement, that contains the set of collected legends, is added to the thesis.
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