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Spiritual backround of Dvořák's cantata Stabat Mater
Řehák, Miroslav ; Sládek, Karel (advisor) ; Mašek, Vojtěch (referee)
The aim of this work is to find the spiritual backround of Antonín Dvořák's (1841−1904) cantata Stabat Mater. The work is divided into three main parts: a short summary of Antonín Dvořák's life before the composition of the cantata and the events which preceeded; the phenomenon Stabat Mater and the comparison of the origin and the conception of cantata with the chosen authors of the world's music and Dvořák's conception of the work, his emphasis and evaluation. The matter of the analysis is the process of merging of Dvořák's spiritual and musical life, the choice of Stabat Mater and his work's influence on his personal spiritual life. Another aspect of the work is searching for the criterion if the creation of musical work can be seen as spiritual or if it can't; the necessity of connection and life with the God's person, the Holy Ghost, unification with him and gradually growing into something which the artist can create in connection with the Holy Ghost and what through the Holy Ghost creates the spiritual work. Keywords Dvořák, Stabat Mater, Holy Ghost, pneumatology, prayer, spiritual formation, liturgic music Počet znaků (včetně mezer): 105 439
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