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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Narratological Strategies in Ignát Hermann's short stories
 MASÁK, Jakub
The topic of presented bachelor thesis is the narrative concept of short stories created by Ignát Herrmann. All analysed short stories are included in Pražské figurky and Drobní lidé. We will be focused on narrative strategies of chosen stories. The concepts of fictional narrator, narrative acts and the presentation of narration will be followed as well. Introducing theoretical part will define fundamental terms of narratology and the practical part will be analysing concrete stories. The final results will allow us to compare Herrmann?s stories with the most significant ones ? with the short stories of Jan Neruda.
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The Forms Of Destruction
 JOHNOVÁ, Petra
The thesis compares depict of the human existence destruction motivic whole in three novels from the end of the nineteenth century. The subject of the analysis is from books U snědeného krámu by Ignát Herrmann, Dům U tonoucí hvězdy by Julius Zeyer and Princezna Pampeliška by Jaroslav Kvapil. It is not primarily about the specific analysis of the poetics but to highlight the basic outlines and the mechanism of the depict world. It focuses mainly on the typology of the main characters. It also describes the ways and roles of the environment depiction and the impact and also the period of the literary characters destruction. The attention is drawn to importance of symbols which are linked with the main characters. The characters are also influenced by the role of the narrator who can influence depict of the destruction by his position. The thesis also focuses on specific motive of the destruction which is especially expressed in depict in inner and outer substance of the literary characters. The issue is looked at from different perspectives whose variedness is described in the expert description itself of the individual analysis. We should get through these different perspectives to more objective and precise depict of the images of destruction which becomes more evident through different discourses. As a result of the thesis should be the answer to the question in what extent is the analogical motivic whole defines text requirement to other not only literary discourse (realism, parnasism, impressionism) whose destruction motive submits to the pressure of the distinct regulations in the nineteenth century.
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