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The Romantic Prometheus: Mary Shelley's "Frankenstein", P. B. Shelley's "Prometheus Unbound" and Lord Byron's "Manfred".
Hupcejová, Anna ; Horová, Miroslava (advisor) ; Beran, Zdeněk (referee)
Following the time of political turmoil and social change sweeping through Europe (the French Revolution, the Napoleonic Wars, the Industrial Revolution), the mythological figure of Prometheus was especially popular in English Romantic literature. The Promethean symbol and values of liberty and defiance were evident inspirations of Mary Shelley's Frankenstein, Percy Bysshe Shelley's Prometheus Unbound and George Gordon Byron's Manfred. Being generally interested in English Romantic literature, I seek to discuss in what ways and to what extent have the Romantics rewritten the themes associated with the Titan for the purposes of modernity. Prometheus' chief characteristics are his caring and self-sacrificing, yet rebellious and cunning nature - he is in short an individual that the Romantics could relate to, also because he suffered for his beliefs and was mentally strong enough to stand up against the Olympian authorities. His name translates as 'forethought' or 'foresight' and this is without doubt connected to why the Romantics found him relevant to their time. There are a few issues that will need to be confronted. First of all, there are countless versions of the ancient myth, so instead I will direct my attention to the values and symbols associated with Prometheus. Secondly, there are also other...
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Transformation of the Gothic in Nineteenth-Century British Literature and Culture
Mikulová, Martina ; Nováková, Soňa (advisor) ; Beran, Zdeněk (referee)
Thesis abstract: Despite the fact that some critics view the period of the true Gothic as ending in the year 1820, others consider it to be a genre, as well as an aesthetic, which can still be perceived across various different cultural aspects to this day. Possibly the best way to approach the Gothic within the realm of literature is to observe several key examples of the Gothic topos, which was grounded in the original Gothic pieces of the eighteenth century. During the course of the nineteenth century, a historical period which from the cultural point of view appears almost inherently Gothic, British Gothic writing has undergone considerable changes and development, maintaining several of the key Gothic features, namely those of setting, isolation, and character types, modifying them in the process. Through this, it can be observed to what extent the aspects remain, and just how far-reaching their transformation was within the six exemplary works - Frankenstein, The Vampyre, Jane Eyre, Wuthering Heights, Carmilla, and Dracula. Another important aspect overlaying the selected works is that of monstrosity - a rather physical interpretation of the inner monstrosities of humans, or indeed an entire culture. The literary works, no matter how different at first glance they may appear to be, all utilize typical...
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Frankenstein: Changes of Fantastic Appearance and Terror in Movie Adaptations and Theatre
Ševčíková, Michaela ; Činátlová, Blanka (advisor) ; Hrbata, Zdeněk (referee)
Master's thesis presents comparison of motifs and images of fantastic appearance and terror in the novel Frankenstein or the Modern Prometheus by Mary Shelley and its film and theatre adaptations, and studies their changes. It deals not only with theoretical problems of fantastic appearance, terror (horror) and adaptation, but especially the Frankenstein myth and its influence on creating these images in given texts. Thesis describes the development of fantastic and horrific images from the literary text towards visual and performance media. The thesis studies the transformation of these images within three film adaptations made by directors J. Searlse Dawley (1910), James Whale (1931) and Kenneth Branagh (1994), and one play written by Nick Dear and directed by Danny Boyle (2011). Key words: Frankenstein, Frankenstein myth, fantastic appearance, fantastic, terror, horror, adaptation
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The Romantic Prometheus: Mary Shelley's "Frankenstein", P. B. Shelley's "Prometheus Unbound" and Lord Byron's "Manfred".
Hupcejová, Anna ; Horová, Miroslava (advisor) ; Beran, Zdeněk (referee)
Following the time of political turmoil and social change sweeping through Europe (the French Revolution, the Napoleonic Wars, the Industrial Revolution), the mythological figure of Prometheus was especially popular in English Romantic literature. The Promethean symbol and values of liberty and defiance were evident inspirations of Mary Shelley's Frankenstein, Percy Bysshe Shelley's Prometheus Unbound and George Gordon Byron's Manfred. Being generally interested in English Romantic literature, I seek to discuss in what ways and to what extent have the Romantics rewritten the themes associated with the Titan for the purposes of modernity. Prometheus' chief characteristics are his caring and self-sacrificing, yet rebellious and cunning nature - he is in short an individual that the Romantics could relate to, also because he suffered for his beliefs and was mentally strong enough to stand up against the Olympian authorities. His name translates as 'forethought' or 'foresight' and this is without doubt connected to why the Romantics found him relevant to their time. There are a few issues that will need to be confronted. First of all, there are countless versions of the ancient myth, so instead I will direct my attention to the values and symbols associated with Prometheus. Secondly, there are also other...
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Migrant literature or anti-heroic novel. Michael Stavarič´s \kur{Stillborn}.
MARYŠKOVÁ, Kateřina
This bachelor´s thesis deals with the issue of classifying the Austrian writer Michael Stavarič and his works as migrant literature. Due to the author´s moving in early age from Brno to Vienna the problem of language change will be mentioned. A detailed analysis of Stavarič´s novel stillborn follows. It pursues especially the characteristic of the main character, the narrative strategy and possibilities of interpretation of this work. In the same chapter I will try to disprove the general claim that the mentioned work classifies only as migrant literature. Evidence that this book shows also signs of an anti-heroic novel will be submitted. This task is concluded with a critique of the Czech translation by Radka Denemarková (Mrtvorozená Eliška Frankensteinová) which focuses on the differences between the original and translation.
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William Godwin's Caleb Williams and Mary Shelley's Frankenstein
TRUHELKOVÁ, Jitka
The aim of this diploma thesis is the comparison of the interpretations of the two novels of English Romanticism: William Godwin?s Caleb Williams (1794) and Mary Shelley?s Frankenstein (1818). It will concentrate on the influence of the tradition of Gothic novels, especially on the motifs of secret, pursuit, crime and self-devision. It will also concentrate on the atmosphere of fear and suspense.
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