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Chopin sonata B minor analysis and its contextualization in Chopin´s work
Myšíková, Marie-Anna ; KRAJNÝ, Boris (advisor) ; VLASÁKOVÁ, Alena (referee)
This bachelor thesis deals mainly with the musical analysis of Chopin's third sonata b minor op. 58. The first chapter is titled "Characteristics of Chopin's work and the influence of contemporaries" and is divided into two subchapters. At the beginning of the entire section is described Chopin's life. In the first subchapter the bachelor thesis deals with enumeration of Chopin's works both for solo piano and for two pianos and orchestra. The second subchapter focuses on the general features of Chopin's work, the atributes of his personality or the circumstances surrounding the composition of some of his works. The second chapter represents the analysis of the sonatas in b minor op. 58, where each movement has its own subchapter. Finally, there is a subchapter deals with the context of this sonata in Chopin's overall work.
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INTERPRETATION ASPECTS OF CHOPIN’S B MINOR SONATA
Czepa, Roman ; MALÝ, František (advisor) ; BILINSKÁ, Kvitoslava (referee)
The main aim of the thesis is to give a conclusive view of the current interpretation state of Frédéric Chopin’s sonata in B minor, op. 58. A brief formal analysis is provided as well as further study hints. The main part focuses on interpretation difficulties such as edition choice, composition style in contrast to interpretation approaches and fulfilment of the opus by famous pianists.
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F. Chopin - Scherzi and the great pianists
Kozák, Marek ; KLÁNSKÝ, Ivan (advisor) ; TOPERCZER, Peter (referee)
This thesis is divided into 2 parts. In the first one I will marginally describe Chopin's life, although many pages about his life have been written - thus I will concentrate on basic biographical facts with an emphasis on the period in which those particular Scherzi were written. I will also describe scherzo as a musical form, its origin and structure. The last subchapter of the first part reveals scherzi in other pieces (sonatas etc.). The second part concentrates on interpretation, I will also analyze several recordings of famous pianists with their personal profiles included.
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Preludes by F. Chopin, A. N. Scriabin and C. Debussy - Comparison
Hozman, Denny ; KLÁNSKÝ, Ivan (advisor) ; KAHÁNEK, Ivo (referee)
The subject of this thesis is to present the cycles of the preludes composed by F. Chopin, A. N. Scriabin and C. Debussy and to compare them with each other. 3 sorts of criteria will be chosen for that: 1) non-musical criteria, 2) music theory criteria and 3) will be researched through the analysis of chosen music pieces from the cycles. Their common features and differences will be summarized at the end of the each chapter.
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Changes of Chopin's International piano competition in Warsaw
Kołatek, Beata ; KAHÁNEK, Ivo (advisor) ; MALÝ, František (referee)
The aim of this thesis was the representation of history, development and present form of the International Chopin Piano Competition in Warsaw.
Introduction of this work deals with the concept of Chopin tradition and areas that are affected by the composer's creation.
The main part is focused on origin of this competition and its founder, companies that hold this event and development from the first year up to the present.
Attention is paid to the dates of the individual years, the number of participants, countries from which they arrived, the jury composition and the prices which were awarded. For each year is also given programme of each round, which had to be presented by the competitors.
Conclusion of this thesis deals with the Czech track in the competition and detailed results, which were achieved by the Czech pianists.
The Annex contains the complete results of all years and the samples of promotional materials from the International Chopin Piano Competition in Warsaw.
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F. Chopin: Sonata No. 3 op. 58 h-moll
Goto, Eri ; KLÁNSKÝ, Ivan (advisor) ; KASÍK, Martin (referee)
The topic of this bachelor thesis is piano Sonata No. 3 in b-minor op. 58 by the Polish composer Fryderyk Chopin. This thesis is divided into three chapters in which I examine what is important for the interpretation of the Sonata. I deal with the question what Chopin intended to express, what his intention was, and based on Chopin´s statements "tone idea" that Chopin requested.Chapter 1 deals with Chopin´s biography and Chopin as a composer, pianist and teacher. Chapter 2 is about the methodics that Chopin himself created and that seems to be essential when interpreting this Sonata. In Chapter 3 I compare three different editions of the Sonata and based on findings from previous chapters I ponder how it is best to perform this Sonata.
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F.Liszt´s opinion on F.Chopin
Marečková, Kornélie ; MALÝ, František (advisor) ; Levický, Martin (referee)
This thesis provides an unaccustomed view of F.Chopin, from the point of view of his contemporary F. Liszt. The aim of the thesis is to become acquiantant with Liszt´s both personal and professional perspective on Chopin. The thesis attemps to discover connections between Liszt´s opinion on Chopin and his own life experience and career, artistic conviction and apprehension of society at that time. It enables to take a look into cogitation of a 19th century´s music genius and particulary its goal is to describe the human element of both of the artists.
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Frédéric Chopin´s Ballades with Emphasis on Ballade A flat Major Op. 47
Trauškeová, Anna ; MALÝ, František (advisor) ; KAHÁNEK, Ivo (referee)
This thesis deals with some of the most famous and most played Chopin´s compositions - his four ballads, while the second part of this work focuses primarily on the ballad in A flat major, Op. 47. The author devotes to Chopin's ballads in this work particularly in terms of the content of which she looks for possible inspiration in Adam Mickiewicz?s works. She mentions first the interdependence of literary and musical components of the ballads in a broader historical context, which is written in the first chapter of this work - Ballad of historical aspect. She cites development this form from its beginnings to the contemporary type that we know today. In the second chapter - Chopin ballades in terms of content - there are presented particular examples of a literary subject matter directly by the individual Chopin ballads. In the third chapter the author deals with a detailed analysis of the ballad in A flat major, and in terms of content, formal and harmonic. Last, the fourth chapter is devoted to thinking about this interpretation of important Chopin's work.
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