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Character of Claudine in comparison with other characters in Colette's work
Dvořáková, Ivana ; Jamek, Václav (advisor) ; Voldřichová - Beránková, Eva (referee)
This Bachelor Thesis aims to compare the character of Claudine with later characters of Colette's work. Sidonie-Gabrielle Colette is one of the most important literary figures of the first half of the twentieth century, and although she is not the usual subject of studies in the Czech Republic, in her country of origin, she still has many supporters. The first part of this work puts briefly Colette into the context of contemporary women's literature, and pursue her biography with an emphasis on people and circumstances that influenced her life and work. The second part of the work progressively analyses and compares selected literature characters and also identifies Colette's autobiographical projections. In conclusion this work creates a global comparison and defines the nature of those projections.
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Character of Claudine in comparison with other characters in Colette's work
Dvořáková, Ivana ; Jamek, Václav (advisor) ; Voldřichová - Beránková, Eva (referee)
This Bachelor Thesis aims to compare the character of Claudine with later characters of Colette's work. Sidonie-Gabrielle Colette is one of the most important literary figures of the first half of the twentieth century, and although she is not the usual subject of studies in the Czech Republic, in her country of origin, she still has many supporters. The first part of this work puts briefly Colette into the context of contemporary women's literature, and pursue her biography with an emphasis on people and circumstances that influenced her life and work. The second part of the work progressively analyses and compares selected literature characters and also identifies Colette's autobiographical projections. In conclusion this work creates a global comparison and defines the nature of those projections.
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Expérience Grand-Guignol: a project description from the viewpoint of the dramaturg
Kebrtová, Helena ; HANČIL, Jan (advisor) ; SCHEJBAL, Milan (referee)
This Master Thesis describes the Expérience Grand-Guignol project, consisting on the one hand of research of the texts preserved in the Parisian Theatre Grand-Guignol (1897 – 1963) and on the other hand of a graduation performance in Theatre DISK which staged four plays from the repertory of this famous theatre of horrors. The Expérience Grand-Guignol project explored in practice various approaches to the historical material of Grand-Guignol placed in a contemporary context. It examined limits of the genre and methods of staging favorable to the Grand-Guignol experience today. The thesis is structured in three parts. The first part presents the Grand-Guignol theatre phenomenon, its history and theory compiled from accessible literature. The second part is dedicated to a detailed preparation and realization of the project. It presents four performed shows, including the overall set design and storyline, which provides the frame for the cycle. The last part presents a short reflection on fear as an effect of a theatre performance, a summary of observations from the practical examination, and an evaluation of project.
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