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National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Reflections on the Chechen War in Czech documenatary film
 Chaloupka, Zdeněk ; Kratochvíl, Jaroslav (advisor) ; ŘEZNÍČEK, Martin (referee)
Bachelor thesis deals with the image of the Chechen conflict in the Czech documentary film in the 90‘s and tries to understand the environment in which this image was created. Much of the work is devoted to the social and political context of the time. This is especialy a formation of institutions after Velvet revolution such as People in Need and Epicentrum agency, which significantly contributed to the media interpretation of the conflict. Thesis also analyzes the television documentaries reflecting Chechen war in terms of content and tone. Finally considers to what extent was the message of the documentary film makers influenced by ideological attitudes and social order. The aim is to determine what factors influenced the final form of films and on what basis it was biasd to the on side of the conflict.
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Reflection of the personality and works of Franz Kafka in the Czech cinematography
 Císařovská, Natálie ; BERNARD, Jan (advisor) ; ADLER, Rudolf (referee)
In my bachelor diploma work I m making a probe, how czech filmakers were reflecting personality and works of famous jewish writer from Prague Franz Kafka. Until 60 s he was forgotten and ignored so it was the generation of the New Wave who has discovered him and was inspirated by his visions. The theme Kafka was allways kind of a mirror of political and social climate in the socialistic Czechoslovakia. In 70 s and 80 s Kafka was forbidden, and we cand find him just in the amateurish movies or in the exile cinematography. Just after the Revolution in 1989 Kafka is back and inspires filmakers with the whole freedom...
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Changes in human living environment in selected Czech photographic projects since 1990 to the present
 Trautmannová, Tereza ; Siostrzonek, Jiří (advisor) ; BÁRTA, Jaroslav (referee)
This thesis aims to present and compare selected photographic projects mapping the changes in human living environment since the early nineties to the present. This includes approaches of authors interpreting the landscape in a different context than as the aesthetic artefact. The photographic projects selected for this thesis represent not only the artistic side of photography but also their sociological, ecological, social, psychological and anthropological overlaps enabling the alternative interpreting approaches.
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