|
| |
|
| |
|
|
THE IMAGE OF DISSIDENT IN CZECH DOCUMENTARY FILM AFTER 1989
Kohout, Martin ; VACHEK, Karel (advisor) ; HENDRICH, Vladimír (referee)
The work is attempting to describe the mental image of a dissident, the way it was most oftenly interpreted in the post Velvet revolution period films known to the public or regularly shown on the televion screens. For this purpose was chosen 53 films, which were devided according to their general interpretation and impression. I followed with an analyzation of the montage and bulding elements, that are used in these films, most oftenly shaping the opinion of the general public. The interpretations and contents of these films were compared to the results of the social-sientific research on the nature of normalization period and the dissent. Also these generally popular films were compared with the works standing outside of the mainstream documentary film, about the topic of dissent or previous regime in general.
This theses is therefore refering to the problems of interpretation of the previous regime, normalization and the role of dissent in czech society.
|
|
|
The Downfall of Czech TV series
Hrubý, Tomáš ; Szczepanik, Petr (advisor) ; MATHÉ, Ivo (referee)
The thesis deals with the qualitative decline of the Czech serial production after the revolution, namely changes in the author-producer relationships, the impact of the introduction of the commercial broadcasters into the market and an internal development of the Public television. The thesis will also look at the changes in developement and production of tv series in the Czech republic.
The thesis will be looking for the roots and consequences of this qualitative decline and will compare it with the socialist era as well as the profesional developement of the foreign tv series. Through the analysis of production processes, the text seeks to identify fundamental principles affecting the quality of television production and outline possible systemic changes to strengthen the potential for future domestic as well as foreign succsess of Czech tv production.
|
|
|
Alternative Content in Czech Cinemas from 2007 to 2012
Dohnalová, Kamila ; KALLISTA, Jaromír (advisor) ; ŠUSTER, Jan (referee)
The bachelor thesis on "Alternative Content in Czech Cinemas from 2007 to 2012" deals with the new segment of the film market known as alternative content or event cinema. In the last few years, presentations of these audiovisual programs that are different from feature films show very dynamic development in digital cinemas. Characteristics of the current global event cinema market and retrospective overview of the types of alternative content are introduced for a complex understanding of the topic. The situation of Czech event cinema market is described, including the diversification and growth of the market during which the Aerofilms distribution company has recently lost its exclusivity. The thesis summarizes the current state of technology and digital cinema satellite distribution that is the future of delivering the audiovisual content.
The operating methods are study of foreign and Czech literature, description of program and dramaturgy of participating entities, content analysis and participant observation.
|
|
|
Narrative cracks and their compensation
Hoffmann Polenský, Tomáš ; DOLENSKÝ, Martin (advisor) ; ČIHÁK, Martin (referee)
Narrative gaps are dramaturgical problems which disturb the viewers?
perception of the storyline and the fictional world of a film. The text analyses
specific narrative gaps on the example of the most popular Czech films produced
between 2000?2010. This work explores the question of the popularity of these
films despite their narrative problems. In searching for the answer it tries to see
the problem from the perspective of the audience as well as the filmmakers.
From the perspective of cognitive film theories, it describes the auto-compensation
processes applied by the viewers. It also describes the
mechanisms of attraction which are used by filmmakers to cover up the narrative
gaps.
|
|
|
Music ducoments of US and English scene
Maletzová, Soňa ; RŮŽIČKOVÁ, Alice (advisor) ; Kovarík, Martin (referee)
This research study deals with the anglo-saxon music documentary phenomenom. In the first part the direct cinema films from the sixties are explored, namely Don?t Look Back, Eat The Document and Gimme Shelter, in the second part contemporary music documentaries are analysed, namely I Am Trying To Break Your Heart and DiG!. The study explores style, substance, circumstances surrounding their creation, context and legacy of the films.
|
guest ::
