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Exhibition - VVČSKSU
Hověžáková, Ilona ; Janečková,, Zuzana (referee) ; Mazanec, Martin (advisor)
The objective of this thesis draws on my experience acquired during the internship in Galeria De Arte Servando in Havana, where I have been given the opportunity to learn about Cuban culture as well as to witness the restrictions and difficulties in gallery activities due to the communist government. The first part of the thesis focuses on historical facts highlighting the art exchange between Czechoslovakia and Cuba, a common part of running the state institution in the past. It was a common practice both in Havana´s House of Czechoslovak Culture and in the House of Cuban Culture in Prague. After the collapse of the Soviet Union, both houses were closed and the Czechoslovak-Cuban relations in art and culture have never been restored. The study subsequently discusses the concept and realization of the exhibition prepared in collaboration with Cuban curator Yenisel Osuna Morales. The aim of the thesis is to try to initiate a dialogue between two countries, Cuba and the Czech Republic (former Czechoslovakia), countries with many differences, and probably even estranged nowadays. However, their relations were warm before, and they could be in many ways an inspiration. The primary outcome of this thesis is the exhibition project aimed at the topic of censorship in independent art, its influence on gallery activities and freedom of artistic expression in Cuba. The selection of cuban artists carried out by curator Yenisel Osuna Morales represents the topic of pluriculturalism, migration and diaspora. By means of exhibition exchange, I would like to refer to the terminated friendship between Cuba and former Czechoslovakia in the field of art. The purpose of these exhibitions is not only to present Czech contemporary art in Cuba but also to present Cuban art in the Czech Republic without any restrictions.
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Exhibition - VVČSKSU
Hověžáková, Ilona ; Janečková,, Zuzana (referee) ; Mazanec, Martin (advisor)
The objective of this thesis draws on my experience acquired during the internship in Galeria De Arte Servando in Havana, where I have been given the opportunity to learn about Cuban culture as well as to witness the restrictions and difficulties in gallery activities due to the communist government. The first part of the thesis focuses on historical facts highlighting the art exchange between Czechoslovakia and Cuba, a common part of running the state institution in the past. It was a common practice both in Havana´s House of Czechoslovak Culture and in the House of Cuban Culture in Prague. After the collapse of the Soviet Union, both houses were closed and the Czechoslovak-Cuban relations in art and culture have never been restored. The study subsequently discusses the concept and realization of the exhibition prepared in collaboration with Cuban curator Yenisel Osuna Morales. The aim of the thesis is to try to initiate a dialogue between two countries, Cuba and the Czech Republic (former Czechoslovakia), countries with many differences, and probably even estranged nowadays. However, their relations were warm before, and they could be in many ways an inspiration. The primary outcome of this thesis is the exhibition project aimed at the topic of censorship in independent art, its influence on gallery activities and freedom of artistic expression in Cuba. The selection of cuban artists carried out by curator Yenisel Osuna Morales represents the topic of pluriculturalism, migration and diaspora. By means of exhibition exchange, I would like to refer to the terminated friendship between Cuba and former Czechoslovakia in the field of art. The purpose of these exhibitions is not only to present Czech contemporary art in Cuba but also to present Cuban art in the Czech Republic without any restrictions.
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U. S. Foreign Policy Towards Cuba 1958-1965
Fiala, Jaroslav ; Kovář, Martin (advisor) ; Opatrný, Josef (referee) ; Barteček, Ivo (referee)
The thesis deals with the U.S. foreign policy towards Cuba in the years 1958-1965. It analyses sources of U.S.-Cuban hostility at the beginning of the Fidel Castro era. It shows, how the U.S. foreign policy and the beginning of Cold war contributed to polarization as well as radicalization of politics in Cuba. Thus, it analyses the change of a local conflict into the "international civil war". The aim of the thesis is to argue that Cuba influenced the global balance of power between the Soviet Union and the United States at the beginning of 1960's. The introductory chapters summarize the causes of the Cuban Revolution, the U.S. policy toward friendly dictators, mainly toward Fulgencio Batista in Cuba. Next part deals with the guerilla warfare against Batista and the extent of U.S. influence on this insurrection. The thesis uses a multi-archival research of the U.S. as well as Czech and British sources. The comparison of sources shows the extent of independent Cuban actions and helps to comprehend the logic of the Eastern-European foreign policy. The thesis further analyses the U.S. reaction on Cuban Revolution as well as causes and consequences of the Cuban Missile crisis. Moreover, it deals with the possibilities of improvement in the U.S.-Cuban relations. Last but not least it also analyses the...
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