National Repository of Grey Literature 5 records found  Search took 0.00 seconds. 
CZECH GREEN´S 2003 - 2005 / filming life of political party
Matějková, Daniela ; JANEČEK, Vít (advisor) ; VACHEK, Karel (referee)
The aim of this diploma thesis is to create a study of my own time-lapse documentary movie about the Green Party. It tries to grasp my own longtime relationship with the party and with the movie aiming to find final interpretation of the facts that happened in the years 2003- 2005 in which the party was facing radical transformation. It reflects more personal than academic interpretation of the movie and the political situation itself. It is based on several historical film documents which try to set lights to the facts that are usually hidden to everyday viewer.
THE IMAGE OF DISSIDENT IN CZECH DOCUMENTARY FILM AFTER 1989
Kohout, Martin ; VACHEK, Karel (advisor) ; HENDRICH, Vladimír (referee)
The work is attempting to describe the mental image of a dissident, the way it was most oftenly interpreted in the post Velvet revolution period films known to the public or regularly shown on the televion screens. For this purpose was chosen 53 films, which were devided according to their general interpretation and impression. I followed with an analyzation of the montage and bulding elements, that are used in these films, most oftenly shaping the opinion of the general public. The interpretations and contents of these films were compared to the results of the social-sientific research on the nature of normalization period and the dissent. Also these generally popular films were compared with the works standing outside of the mainstream documentary film, about the topic of dissent or previous regime in general. This theses is therefore refering to the problems of interpretation of the previous regime, normalization and the role of dissent in czech society.
ELEVEN FACES OF JAN GOGOL, JR.
Rendl, Jan ; RŮŽIČKOVÁ, Alice (advisor) ; KUBICA, Petr (referee)
Author Jan Rendl in his thesis attempts to look at the world of ideas and educator Jan Gogola ml. through the eleven chapters in which each chapter somehow characterizes itself by Jan Gogola ml. and each of them somehow determines its creative ideas of it through the metaphor of a football match when Jan Gogola, with its characters, movies himself a teammate, as well as defensively. It gives goals with their situations as well as occasionally digging his opponents ankles. Jan Gogola ml. thus embodies one stage of the Department of Documentary Film at FAMU, which often stands at the intersection between teaching activities and Karel Vachek among students who applied by them during their seminars psychological methods that work must be peculiarly associated with the author of the film.
Theatrical Distribution of Czech Feature Documentary Films
Kubečková, Pavla ; HORSKÁ, Tereza (advisor) ; DANIELIS, Aleš (referee)
This thesis aims to describe the current theatrical distribution capabilities of Czech documentary films in cinemas. The starting point is the description of the model of a theatrical distribution on the Czech market and also collected facts and statistics about the attendance of documentaries in cinemas in the period of the years 2000-2013. These are used for subsequent consideration of the potential of documentary films in cinemas, on the possible benefits of film festivals on the way of the film to the audience and also on which films are suitable for distribution in cinemas. The work also includes a case study and comparison of the distribution of two documentary films that were shown in the Czech cinemas in 2013. The aim is to reflect on the current situation and to find ways to improve the position of documentary films in the context of theatrical distribution. Another objective is to outline future prospects.
The picture of a German in selected Czechoslovak dokumentaries 1948 - 1968
Kratochvíl, Jaroslav ; KLIMEŠ, Ivan (advisor) ; Kohoutová, Tereza (referee)
The work deals with the topic of the picture of a German in selected Czechoslovak documentaries in the years 1948 - 1968. It focuses on the formal and content shifts in selected films, their rhetorics and the range of genre. As a result it shows how the Czechoslovak documentarists have been dealing with Czech-German issues and the image of our neighbours that they have been producing during the twenty years.

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