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The Zigzag line in the other dimension
Oraský, Jan ; Trajkov, Ivo (advisor) ; Čihák, Martin (referee)
The main inspiration of my work is the essay, The Zigzag line, Jeremy Adler, which is interested in the curves like aesthetic value. I have also chosen the theoretical study of Professor Josef Valušiak. His publication is the inspiration for my idea about artistic value of curves. I think that the zigzag line is everywhere around us and these lines influence our opinion and feeling of this world. I want to find equivalence relation between zigzag lines and film.
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Notes for yong editors
Pauer, Petr ; Trajkov, Ivo (advisor) ; Daňhel, Jan (referee)
Why should one become an editor? Why should one dedicate to profession which is ?trapped? in between four walls, condemned to one small room? And, when it comes to creativity, what are the real possibilities for editor to be creative and to express her or himself? These are some of the questions raised in master thesis by Petr Pauer, called ?Notes for young editors! ?. This ?handbook? is instruction tool about process of film production and creation which tries to answer more general questions and to react to various frustrations of young and beginning filmmakers. For example: How to deal with editors? claustrophobia? How to deal with directors? self-centeredness? Where to start, when you start editing the film?. It tries also to describe the principles of editing process which aims to be compatible with viewers experience as well as editing process which serves to director?s vision. Important issue it deals with is: Where do we draw inspiration to feel and understand film, do we unconsciously recall our deepest animal instincts or we base our understanding on ?database? of all the films we saw and all the frames and pictures that our eye and brain caught before. Or, should we reject all that has been made and go for new unrevealed possibilities? Author of this work creates his own dogma, he encourage reader to so called collective filmmaking and explains what it is and how it functions. In short, a new solution would be ?In order to be editor one has to be brave enough to undergo the path of humbleness and forget the fact that he or she is an individual with a lot of complexes. Though, just relax and be happy!?
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Documentary and Fiction in Agnés Varda´s Films /nonexistent borders/
Hlavatá, Monika ; Trajkov, Ivo (advisor) ; Dolenský, Martin (referee)
French director Agnes Varda has kept her creative individuality since the new wave cinema till present. Main theme of this diploma is to chart the borders between fiction and documentary creation. After that the analysis and determination of the characteristics from which her incommutable style is made - so-called - cinécriture. Emphasis lays on an unique style of her filmmaking, using the documentary segments in a fiction film and well-considered sytlizations in a documentary. The diploma is focused on films such as: La Pointe Courte, Cléo from 5 to 7, Happiness, Kung-Fu master, Vagabond, Jane B. by Agnès V., The Gleaners and I, The Gleaners and I two yers after.
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Film Notes
Jeřábková, Kateřina ; Trajkov, Ivo (advisor) ; Daňhel, Jan (referee)
Structure of time space and a system of relations. This text deals with framing, off-space, characters, audience and other elements of film structure. It is mainly about relations between these aspects.
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Structural analysis of the film "Little Girl Blue" based on Robert McKee
Remáč, Milan ; Trajkov, Ivo (advisor) ; Doruška, Tomáš (referee)
Based on a book of Robert McKee ?Story? and the discussion with the scriptwriter and director Alice Nellis thesis is about the stuctural analysis of the film ?Little Girl Blue?. First part is dedicated to the definition of the main character. The difference between character and characterization is described: the main character Julie is in a lack of the conflict situations. The result is the poblem with trust in the reality of the character. The second part defines the thema of the film and its controlling idea. In the film there can be found two themas, but neither one can be the main one. The third part describes the scenes and analyzes their content and position in the film. The result of the analysis is the problem of the thema definition in the film, dispoportion of the exposition?s length and content and the weak motivation of the main character.
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Introduction to psychology of visual perception
Šenovský, Otakar ; Daňhel, Jan (advisor) ; Trajkov, Ivo (referee)
This bachelor theoretic work is supposed to clerify some substantial facts connected
physiology and psychology of visual perception of a human being above all in relation
to cinematography. I have tried analyze how actually physiology makes a human
perception of a movie picture possible, in which way is a film space constituted in a
spectators mind and how a movie picture leads our attention. This work proves that
human ability to perceive a film space responses to the perceptions keys that people use
to perception and recodnizing a reality.
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