|
|
Image of Physicality - Physicality of Image
Slachová, Markéta ; Sedlák, Michal (advisor) ; Fulková, Marie (referee)
In the thesis submitted, I deal with the concepts of human physicality and image and their mutual relationship from the point of view of how physicality can be made present in the image and hence in the very dialogue between an artwork and the viewer. The other part is devoted to artistic contexts. I would like to give examples of various works of art which can be traced by means of confronting the contemporary concept of physicality and the appearance of a human figure coming from the earliest paintings to art actions of the present and contemporary art events. My goal is to try to grasp the relation between image and physicality, especially in the context of art education and possibilities of gallery and museum education. I designed and implemented a large educational project: Painting the flesh - the physicality of painting, that uses elements of visually dramatic conception of art education, emphasizing work with pupils physicality of their own, linked to the contexts of art history and also deals with the theme of interpretation, reproduction and manipulation of paintings. The visual part is called Interpretation as a shift from the painting of physicality to the physicality of painting and is also derived from the topic examined in the work.
|
|
|
Ladislav Šaloun's Atelier in Prague -Vinohrady
Slachová, Markéta ; Novotná, Eva (advisor) ; Pech, Milan (referee)
Ladislav Šaloun's Atelier in Prague -Vinohrady. In my bachelor thesis I analyze the atelier of Ladislav Šaloun in Prague - Vinohrady. I try to clarify the emergence and destiny of this building. This thesis is not sculptor's biography, also doesn't contain details about his life work, but presents important facts and circumstances related with the atelier. At the time when he was giving shape to the monument of Mistr Jan Hus placed on Staroměstské náměstí, which was his the biggest sculpture, he decided to build his own atelier. Even though he had no architectural education he designed the building according to his own drawing. A workplace for sculptor's creations was elaborated as a temple completed with symbols and decoration that have reflected author's interests and thoughts. The garden and interior equipment were designed to form the whole unit together with the building of the atelier. In this thesis I have tried to find out and describe the influences which led Ladislav Šaloun in the process of designing. It's about his connection with architects Jan Kotěra and Antonín Pfeiffer, his trips to Italy and also about his interests in ancient cultures. All of these circumstances helped Šaloun to develop his peculiar expression. Quite unusual was his original intention from 1911 to use the...
|
|
|
Image of Physicality - Physicality of Image
Slachová, Markéta ; Sedlák, Michal (advisor) ; Fulková, Marie (referee)
In the thesis submitted, I deal with the concepts of human physicality and image and their mutual relationship from the point of view of how physicality can be made present in the image and hence in the very dialogue between an artwork and the viewer. The other part is devoted to artistic contexts. I would like to give examples of various works of art which can be traced by means of confronting the contemporary concept of physicality and the appearance of a human figure coming from the earliest paintings to art actions of the present and contemporary art events. My goal is to try to grasp the relation between image and physicality, especially in the context of art education and possibilities of gallery and museum education. I designed and implemented a large educational project: Painting the flesh - the physicality of painting, that uses elements of visually dramatic conception of art education, emphasizing work with pupils physicality of their own, linked to the contexts of art history and also deals with the theme of interpretation, reproduction and manipulation of paintings. The visual part is called Interpretation as a shift from the painting of physicality to the physicality of painting and is also derived from the topic examined in the work.
|
|
|
Ladislav Šaloun's Atelier in Prague -Vinohrady
Slachová, Markéta ; Novotná, Eva (advisor) ; Pech, Milan (referee)
Ladislav Šaloun's Atelier in Prague -Vinohrady. In my bachelor thesis I analyze the atelier of Ladislav Šaloun in Prague - Vinohrady. I try to clarify the emergence and destiny of this building. This thesis is not sculptor's biography, also doesn't contain details about his life work, but presents important facts and circumstances related with the atelier. At the time when he was giving shape to the monument of Mistr Jan Hus placed on Staroměstské náměstí, which was his the biggest sculpture, he decided to build his own atelier. Even though he had no architectural education he designed the building according to his own drawing. A workplace for sculptor's creations was elaborated as a temple completed with symbols and decoration that have reflected author's interests and thoughts. The garden and interior equipment were designed to form the whole unit together with the building of the atelier. In this thesis I have tried to find out and describe the influences which led Ladislav Šaloun in the process of designing. It's about his connection with architects Jan Kotěra and Antonín Pfeiffer, his trips to Italy and also about his interests in ancient cultures. All of these circumstances helped Šaloun to develop his peculiar expression. Quite unusual was his original intention from 1911 to use the...
|
guest ::
RSS feed.