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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Malkovský, Siblík, Podhajská
 Nečasová, Natálie ; GREMLICOVÁ, Dorota (advisor) ; PETIŠKOVÁ, Ladislava (referee)
The aim of this thesis is on examples of František Malkovský (1889-1982), Emanuel Siblík (1886 – 1941) and Zdenka Podhajská (1901-1991) follow the activities of Czech dancers in France from 1910 to 1948 and their relations to local artistic comunities and culture. This work deals with each one separetly and it follows their dance activities since their arrival to France until their return to Czechoslovakia, in case of Malkovsky until his last big dance performance. The centre of their dance careers was mostly Paris but also smaller towns all acros the country where Malkovsky and Podhajska organised their dance performances. Impulses for leaving their homeland and also their dance orientations were different. Main sources of this thesis come from Theatermuseum in Wien and from Département des Arts du spectacle (Bibliothèque nationale de France). It is possible to work further on the theme, to include other Czech persons and to take into account artistic aspects of their activities.
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Helena Vojáčková
 Nečasová, Natálie ; GREMLICOVÁ, Dorota (advisor) ; BRODSKÁ, Božena (referee)
This thesis is chronologically mapping the life and the pedagogical carrier of Helena Vojáčková (1882-1967) in context of contemporary dance. The crucial source for this thesis was her inheritance in the Archive of National Museum in Prague. Helena Vojáčková, teacher and critic, participated in the birth of new dance culture formatting at the beginning of 20th century. After her university studies she focused on health aspects of dance. She graduated at Bess Mensendieck health gymnastics, further on she studied modern dance at Drury Channell and also at her former student Jarmila Kröschlová. She taught in Prague according to the system of Bess Mensendieck. She collaborated with dancers, rehabilitation specialsts and doctors. She wrote several studies and a book called "Pohybem ke zdraví a kráse ženy" (1959, 1961). From an artistic point of view she tended to proper understanding and performing the moves, she also wanted each move to be sensed in its expression. Teaching of this method was no more developed after her death but some of her students used inspirations of this system in their further choreographic or teaching activities. The most important of them was Jarmila Kröschlová.
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