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Genesis, the television oratorio. Audio-visual analysis within the context of Czech television opera
Ledvinka, Martin ; Havelková, Tereza (advisor) ; Kratochvíl, Matěj (referee)
The present thesis proposes a deconstructive analysis of Czech television oratorio Genesis (director Pavel Hobl, music Zbigniew Wiszniewsky, Czechoslovak Television and Zweites Deutsches Fernsehen, 1969). Using concepts of voice-object and acousmêtre, this study examines music of the oratorio as an important narrative feature of the audio-visual object. The text interprets the narrative of the oratorio as a crituque of logocentrism and rationalism of modern society. Beside the interpretative part, the study duscusses history and preception of the genre of television opera in Czechoslovakia from early 60s to 1989. Two concepts of the production of television opera are introduced: first, a concept of television opera as a mediator of an existing operatic work, or as means of cultural education of "mass audience"; secondly, television opera is called to represent a new art form using specific television means. These concepts are found in texts by Czech music theorists and journalists of 60s, when the disputation about television opera in Czech journals culminated. A list of television operas produced by Czechoslovak television until 1989 is attached.
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Genesis, the television oratorio. Audio-visual analysis within the context of Czech television opera
Ledvinka, Martin ; Havelková, Tereza (advisor) ; Kratochvíl, Matěj (referee)
The present thesis proposes a deconstructive analysis of Czech television oratorio Genesis (director Pavel Hobl, music Zbigniew Wiszniewsky, Czechoslovak Television and Zweites Deutsches Fernsehen, 1969). Using concepts of voice-object and acousmêtre, this study examines music of the oratorio as an important narrative feature of the audio-visual object. The text interprets the narrative of the oratorio as a crituque of logocentrism and rationalism of modern society. Beside the interpretative part, the study duscusses history and preception of the genre of television opera in Czechoslovakia from early 60s to 1989. Two concepts of the production of television opera are introduced: first, a concept of television opera as a mediator of an existing operatic work, or as means of cultural education of "mass audience"; secondly, television opera is called to represent a new art form using specific television means. These concepts are found in texts by Czech music theorists and journalists of 60s, when the disputation about television opera in Czech journals culminated. A list of television operas produced by Czechoslovak television until 1989 is attached.
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The New Simplicity (in Czech music of the end of the 20th century)
Ledvinka, Martin ; Havelková, Tereza (advisor) ; Pudlák, Miroslav (referee)
This study focuses on the specific compositional techniques and approaches that have emerged in the works of some Czech composers since nineteen eighties. Based on analysis of three works by Czech composers the study points out to a compositional use of specific structuring of musical time, which is then confronted with the results of analysis of two works by European (British and Danish) composers. This comparison shows a clear relationship of the trends observed in Czech music and the movement in European and North American music, which tends to be called the new simplicity. In addition to the analyses a great deal of this study is devoted to the historical circumstances of emergence of the new simplicity in Czech music, the specific conditions it had within the context of Czech music and the terminological difficulties associated with this term.
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The employees satisfaction research in the XY company
Ledvinka, Martin ; Reichel, Jiří (advisor) ; Krausová, Tereza (referee)
This bachelor thesis deals with job satisfaction of emploees and its sub- -aspects. These aspects are stress and stressful situations, evaluation, motivation and workplace relations. In the first part are the above aspects explained. The second part is devoted to the evolution of opinion polls, various methods of data collection and rule-making questionnaires are given here. The third part is based on the employees' satisfaction research which was conducted in one unnamed company. Dependency between age of respondents and the choice of their answer is tested here by using Chi-Square Test, Pearson's and Cramer's Coefficient. Respondents are divided into three groups according to age. Results of testing, in case of question about stress, don't confirm the hypothesis of independence. Younger emploees perceived stress less than older employees. In all other cases failed to demonstrate the dependence.
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