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An Inner Portrait.
Kralovič, Ľubomír ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
In my bachelor's thesis I try to materialize a certain form of idea of a human figure. I started to be aware of this idea at the beginning of my study years when I was permanently confronted with a real human figure. In addition to trying to find a specific form of one's own idea, I have been also trying to model the detail observed from nature. To achieve this, I feel the need to know the internal structure of a figure, which I do through the anatomical studies of Gottfried Bammes. I use his anatomical knowledge to model the basic shape into a form of a figure, to some extent identical to his studies. I perceive this foundation as a kind of framework guiding my work. Under the influence of this, I apply my own idea of a human figure so that I achieve a natural detail through the process of creation.
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Memory loop
Kralovič, Ľubomír ; Hlavina, Tomáš (referee) ; Gabriel, Michal (advisor)
The subject of the textual part of the thesis is the mental image of home. The task of this work is to introduce the reader, viewer to the issues of the thesis project, as well as to specify and summarize the ideas gathered throughout the entire study. Given that this work is the result of artistic creation, which is just consolidating its content, we cannot expect a professional interpretation of what a mental image is. What we can expect is a description of a personal experience with this image. We will think about the reason why we turn to memory. However, we will not only focus on the cause, but we will also search for the meaning and significance, and finally, we will analyze that it has to do with observation. In the practical part, an attempt is made to embody this mental image, which is inherently difficult to grasp.
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An Inner Portrait.
Kralovič, Ľubomír ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
In my bachelor's thesis I try to materialize a certain form of idea of a human figure. I started to be aware of this idea at the beginning of my study years when I was permanently confronted with a real human figure. In addition to trying to find a specific form of one's own idea, I have been also trying to model the detail observed from nature. To achieve this, I feel the need to know the internal structure of a figure, which I do through the anatomical studies of Gottfried Bammes. I use his anatomical knowledge to model the basic shape into a form of a figure, to some extent identical to his studies. I perceive this foundation as a kind of framework guiding my work. Under the influence of this, I apply my own idea of a human figure so that I achieve a natural detail through the process of creation.
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