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W.A.Mozart: Figaroś Marriage focused on the part of Susanna
Kněžíková, Kateřina ; Přívratská, Jiřina (advisor) ; Přívratská, Jiřina (advisor) ; Jonášová, Jana (referee)
In my thesis I have decided to focus on W.A.Mozartś opera Le nozze di Figaro ( The Marriage of Figaro) stresing the interpretation aproach of Susannaś part featuring three outstanding opera singers. A part of the text is devoted to Mozart´s operas and the rest of the thesis focuses on The Marriage of Figaro. To be analised in detail I have selected my favorite Susanna ´sscena in the 4th Act Giunse alfin il momento ( Finally, the moment came) a Deh, vieni, non tardar, o gioia bella ( Oh, come do not hesitate, oh my joy splendid). I have divided the thesis into four chapters. The first chapter is called Opera Wolfgang Amadeus Mozart ´s Opera Work, as the second chapter follows The Figaro´sMarriage, the third is Susanna and the fourth introduces Comparison of Interpretation Aproach of Outstanding Opera Singers.
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W. A. Mozart: The Marriage of Figaro - an analysis of Suzanne
Myřátská, Libuše ; Jonášová, Jana (advisor) ; Jonášová, Jana (advisor) ; Přívratská, Jiřina (referee)
The thesis deals with an analysis of Suzanne in Mozarts opera The Marriage of Figaro ( Le nozze di Figaro). It analyses major part of well known interpretations and compares vocalists who performed in the Suzanne role. The objective of the thesis is maintained by the author experiences while studying the role in the Opera Studio. The thesis highlights the role complexity in confrontation of singing and acting in specific situacions. The minor parts of the thesis are concerned with W.A.Mozarts individuality and his work. The list of W.A.Mozarts scenic works is added as an annex.
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P.I.Tchaikovskij: Life and work with the main opera the Orlean's virgin.
Alakbarova, Gunel ; Jonášová, Jana (advisor) ; Hajóssyová, Magdaléna (referee)
In magister's work is spoken about life and work of P.I.Tchaikovsky. The main theme here is opera Panna Orleánská ( The Orlean's Virgin). The analysis of the whole opera is gong here. The Orlean's Virgin by P.I.Tchaikovsky is written on base of historic drama about brave young French heroin - Jane from Ark. By the author's practice is this work is very difficult to perform the part both technically as well isn't easy to understand her lyric - psycholigocal base. Opera by P.I.Tchajkovsky The Orlean s Virgin which unbelivable beautiful and unrepeated was the first Russian opera which was played on the Prague stage and on the stage abroad.
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Pietro Mascagni?s songs
Dvořáková, Jana ; Přívratská, Jiřina (advisor) ; Jonášová, Jana (referee)
This theses is focused ti the unknown area of Pietro Mascagni's creation - the song. I bring giography of Mascagni in the first section. This section is separated into five parts: Pietro Mascagni - curriculum vitae, Friends, Mascagni and Women, Mascagni - conductor, Mascagni and cinematography. In the second part I'm engaged in the creation of song. Also this chapter have four parts: Pietro Mascagni's song, Complete summary of songs. The six songs, Discography. The part The six songs is more deeply payed to songs,which I worked up.
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The comparison of spoken and sung voice
Jirovská, Anita ; Márová, Libuše (advisor) ; Jonášová, Jana (referee)
The diploma work " The comparison of spoken and sung voice" is dedicated to the physiology of voice. Whole text is divided into three basic chapters. The first chapter, which is dealing with spoken voice, is concentrated to the voice used in general, without knowledge of speech technique. The second one is concerned about the singing - in this case we are dealing with exposure with technical background. Last part of the diploma work is focused on the difference between these voices, hence spoken and sung voice. There is introduced an evolution of the voice in short, from the sung voice point of view as well as from the spoken voice point of view.
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Sweden in the view of a singer or The historical view of the musical evolution in Sweden, focused on vocal literature
Kocourková, Tereza ; Jonášová, Jana (advisor) ; Márová, Libuše (referee)
The intention of this essay is to offer to czech public an overview of swedish music, especially of swedish vocal literature.Beginning with ancienit music, we are getting through 16th and 17th century up to F. Berwald and then, with few stopovers in 19th and 20th century with such composers as E.G.Geijer, L.Norman, A. Soderman, W.Peterson- Berger, W. Stenhammer or H. Alfvén, we end up in 20th century speaking about opera and contemporary music in Sweden.
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