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Dance in the Jewish History
Indráková, Tereza ; Nosek, Bedřich (advisor) ; Špačková, Alena (referee)
This work deals with a phenomenon of dance of the Jewish nation concerning the changes of the social and cultural context. Following the chronological view from the Ancient Israel up to modern state of Israel. I present the ways of how dance relates to the religion. I present the developement of folk and artistic dance in Israel. I focus specially on developement of the artistic dance in modern Israel while concerning the orientation of Israel in the world map and status in contemporary Israeli and world society.
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Dance in the Jewish History
Indráková, Tereza ; Nosek, Bedřich (advisor) ; Špačková, Alena (referee)
This work deals with a phenomenon of dance of the Jewish nation concerning the changes of the social and cultural context. Following the chronological view from the Ancient Israel up to modern state of Israel. I present the ways of how dance relates to the religion. I present the developement of folk and artistic dance in Israel. I focus specially on developement of the artistic dance in modern Israel while concerning the orientation of Israel in the world map and status in contemporary Israeli and world society.
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A DANCER’S PERSONAL REFLECTION OF OHAD NAHARIN’S PERFORMANCE
Nálevková, Petra ; JANEČEK, Václav (advisor) ; INDRÁKOVÁ, Tereza (referee)
The aim of this thesis titled A Dancer‘s Personal Reflection of Ohad Naharin’s performance is to expose the choreography Decadance trough the eyes of an interpreut. Within the thesis the choreographer Ohad Naharin and his movement language – Gaga are introduced. Furthermore, I add my personal experience which I gained while preparing for the performance of „Ohad Naharin: Decadance“ with National Theater Prague. I view the the informations from the perspective of dancer and I draw conclusions from the perspective of future educator.
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Dance in the Contemporary Israeli Society
Indráková, Tereza ; STAVĚLOVÁ, Daniela (advisor) ; PETIŠKOVÁ, Ladislava (referee)
In my dissertation Dance in Israeli Society I have tried to describe the position and perception of dance in contemporary Israeli society from the perspective of modern methods of anthropological research. I have used the methods of the work in the field - authentic interviews with Israeli dancers and Israeli choreographers, with the use of publications in English and Hebrew. My observation were focused on modern Israeli society but with understanding the context of the Jewish history and the transformation of the status of dance in Jewish society from the Biblical times, through the period of diaspora until the Zionist ideas that led to the creation of modern State Israel. Context is completed with a reflection on the current problems of Israeli society and a positive role of dance as a the medium in mutual understanding of different social groups in the contemporary society,. I accent the rolraelská kultura, židovské náboženství, izraelská společnost, národní identita, antropologie tance, tělesná kultura, pohybový jazyk, současný tanec, lidový tanec, etnický tanec, tanec v náboženství, Gaga, Feldenkrais, metoda Ilan Lev, Eshkol-Wachman Movement Notation e of dance in building of new modern State Israel and its culture in helping creating new Israeli culture and searching for the Israeli national identity. It also includes an insight into the methods and tools developed in Israel that are unique for the contemporary dance world in Israel,
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Personality of Ohad Naharin
Šťávová, Helena ; NĚMEČKOVÁ, Elvíra (advisor) ; Indráková, Tereza (referee)
My thesis, entitled Personality of Ohad Naharin aims to describe the beginnings of the development of modern dance in what was then State of Palestine and the influence of dance currents from abroad. I present here the start of the modern dance group Batsheva Dance Company and the unique choreographer Ohad Naharin, who brought this group to the very top in the world scale. Based on the study and analysis of his choreography, I portray a profile of the Israeli dance creator, who revolutionized the field of contemporary dance in today´s Israel and in the world.
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The Dance in Modern Israel
Indráková, Tereza ; Stavělová, Daniela (advisor) ; Ovsová, Libuše (referee)
The aim of this work called Dance in Modern Israel is to present the situation of dance in modern Israel and to interpret its characteristics with showing the influences that have formulated it since the beginning of the creation process of the modern state. I presnt individual artists and institutions based on own experiences during my research in Israel. I present the phenomenon of dance in the wider social and cultural context. The core of his work dwells in defyning the uniqness of the Israeli identity through the world of dance in the contemporary Israeli society.
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