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Lars von Tirer and His Trilogies (Not Only the American One)
 Dusová, Tereza ; Ulver, Stanislav (advisor) ; Mravcová, Marie (referee)
The theses is dedicated to the film trilogies of Lars von Trier and the changes in his attitude towards the film-making. There is an obvious fascination with the visual aspect of the film and the visual expressivity in the beginning of his career. On the other end stands a fascination with the story and it´s charecters. Main chapters are on Trier´s conceptual attitude towards the film-making, the topics he´s interested in, the type of Trier´s main character, the way Trier works with the story, the filming methods he uses, and about his films in whole. The main part presents the incomplete American Trilogy: films Dogville and Manderlay.
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