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	Editing in Digital Cinematography Sýkora, Jakub ; Dolenský, Martin (advisor) ; Doruška, Tomáš (referee) This thesis focuses on analysis of changes in the area of film editing, resulting from the introduction of the modern electronic technologies. By comparison of the classical cinematographical workflows based on a traditional film stock with the new opportunities brought by digital systems, it aims to specify the new working methods as required from the professional film editor. Consequently, this thesis defines the advantages and point out the possible issues arising from displacement of the classical film stock with an electronic media as a fundamental changeover in the whole cinematography history. Furthermore, it explores the recording options of new digital cameras with a view to evaluate the impact on the profession of the film editor. It ponders on the situation of a film editor as he/she is being overloaded with new technologies and seeks the way out from the accumulation of duties and responsibilities which an editor has to manage nowadays. Detailed record
	"The Empathy of the Spectator" - introduction Vlčková, Jana ; Čihák, Martin (advisor) ; Doruška, Tomáš (referee) I tried to define the term "empathy of the spectator" a s an conjunction of psychologic empathy and aesthetic empathy. Detailed record
	Structural analysis of the film "Little Girl Blue" based on Robert McKee Remáč, Milan ; Trajkov, Ivo (advisor) ; Doruška, Tomáš (referee) Based on a book of Robert McKee ?Story? and the discussion with the scriptwriter and director Alice Nellis thesis is about the stuctural analysis of the film ?Little Girl Blue?. First part is dedicated to the definition of the main character. The difference between character and characterization is described: the main character Julie is in a lack of the conflict situations. The result is the poblem with trust in the reality of the character. The second part defines the thema of the film and its controlling idea. In the film there can be found two themas, but neither one can be the main one. The third part describes the scenes and analyzes their content and position in the film. The result of the analysis is the problem of the thema definition in the film, dispoportion of the exposition?s length and content and the weak motivation of the main character. Detailed record

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