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Experiencing film dimension in the work of Artavazd Pelešjan
Chernyak, Daria ; DORUŠKA, Tomáš (advisor) ; BROTHÁNEK, Adam (referee)
The time of cinema is coming to an end, while the era of digital technologies is arriving. On the one hand, one may perceive it as a tragedy for cinematography professionals, on the other hand it can be seen as an interesting challenge. The opportunities of virtual reality are numerous, but examples of a thoughtful and conscious approach to them are few. Probably the main question a spectator asks himself in a synthetic environment is: “Who am I in this world?” This work attempts to give an answer to this question from the point of view of filmmakers – What should be, according to the filmmaker, the position of the audience towards their film? I think that this approach will both help to seek for a new means of expression for cinema and also to raise awareness of the possibilities virtual reality and it's possible influence on cinema experience.
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Audiovisual work as a training program for our mind
Gojdičová, Alexandra ; Mišíková, Katarína (advisor) ; DORUŠKA, Tomáš (referee)
The basis of our work is an idea, that audio-visual art is a training program for our mind, which supports its self-perfection and extension. This necessity of our mind to benefit from the stimuli is in this way reflected in both form and content of audiovisual works and also determines their forms. If we want to understand the cognition of audiovisual perception, we have to understand its origins as well. Our guide in this process will be a tow-year old child and its first touches with moving pictures.
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Edvard Beneš as character in postwar cinema
Krajbich, Josef ; DORUŠKA, Tomáš (advisor) ; Fisher, Petr (referee)
Diploma thesis Edvard Beneš as character in postwar cinema deals with specific issue in relationship between feature film and history.
It is focused on the development of knowledge in historiography of science and gradually recognition of the film as a historical source.
President of Czechoslovakia Edvard Beneš was chosen as a laboratory sample for my research. The work looks into Beneš's image from the first normalization movies by Otakar Vávra till contemporary TV series České století.
The work is also trying to reflect my own experience with editing process of historical drama.
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Troma studios and a film serie of The Toxic Avenger
Beran, Matěj ; FILA, Kamil (advisor) ; DORUŠKA, Tomáš (referee)
Troma Entertainment Inc. is a nearly forty years working independent film studio, which is focused on production and distribution of consciously bad movies in the opposition to Hollywood. This thesis characterizes concept of bad movies and the Troma company through its representatives, ideas and movies. There is analyse of four movies The Toxic Avenger, which deals with it´s typical attributes, positives and negatives and ideological meaning.
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Brief Overview of the Film Character Theories
Remáč, Milan ; Trajkov, Ivo (advisor) ; Doruška, Tomáš (referee)
Diploma thesis Brief overview of the film character theories deals with the film character and the possibilities of its construction focusing on the different film theories. The first part comes out with the chronologic overview of the film character theories from Aristoteles to Michal Bachtin, Roland Barthes, and Christian Metz. Thesis deals with the psychology of the film character, and therefore comes out with the introduction to the analytical theory of C.G.Jung. The second part deals with the character of mother in the film ?Todo sobre mi madre? by Pedro Alomodovar viewed like a fairy?tale as seen through the prism of Jung?s archetypes. Thesis tries to stress the practical application of the film character theories in the film making. The film character psychology and psyconalysis appears to be the most practically useful in the editing process.
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Music video from editing perspective
Vomáčka, Jakub ; Malásek, Filip (advisor) ; Doruška, Tomáš (referee)
The theme of this thesis is music video. First i characterise it, especially from a view of editing. I pursue history of music video with certain milestones to describe important changes in development of genre. I apply music video into editing contexts of time and space, content and form, digital technologies, editing tools, surface play and aesthetic of attraction. At the end i write about one selected director ? auteur Michel Gondry, his style, couple themes, which go throughout his work, and last but not least i list couple of his music vidoes, which show the genre of music videos, as full-fledged art.
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Purkinje's roundabout
Kulka, Jan ; Daňhel, Jan (advisor) ; Doruška, Tomáš (referee)
This text represents theoretical and conceptual background of the practical bachelor project ? Magical Cabinet. This machine is a special kind of projector, which targets onto the altered states of consciousness. The main inspiration field for this project comes from the forefather of cinematography Jan Evangelista Purkyně and his experiments.
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