Home > Search Results: Dřízal, Jan
Search:
Search Tips :: Advanced Search
Search collections:
Sort by: Display results: Output format:
National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Organicity as an Aesthetic Concept in Contemporary Music
 Dřízal, Jan ; BARTOŇ, Hanuš (advisor) ; FILAS, Juraj (referee)
Diploma thesis Organicity as an aesthetic concept in contemporary music tries through interdisciplinary comparison to point out possible manifestations of organics in a musical context. By organicity is meant the holistic understanding of a music work as an „organism“, in which the whole is to the part as the part is to the whole and which is manifested primarily by its sound shape. The text describes how the concrete musical parameters relate to the organic form and how they model it. The author first defines basic organic characteristics such as homogeneity, causality, non-geometry, processuality, or continuity of the form and then demonstrates them on numerous note examples. It does not create a new theory but seeks to point out the universality of this phenomenon both from the historical point of view and in its current forms. Attention is paid to various types of musical perception, time experience and perception of sound form. The terms „sound object“ and „sound gesture“ integrate into a new context and proposes a new typology of musical processes. The work briefly touches on the origin of thinking about organicity in philosophical and aesthetic discourse.
Detailed record
Specifics of Compositional Thinking in Contemporary Estonian Music
 Dřízal, Jan ; BARTOŇ, Hanuš (advisor) ; DUŠEK, Jan (referee)
Bachelor thesis Specifics compositional thinking in contemporary Estonian music aims to cover the information gap in the field of Estonian cultural sites within the Czech Republic, focusing on naming the general characteristics of the individual compositional aesthetics last five decades. In the first section, the text focuses on the cultural and historical aspects of Estonian territory, including linguistic, ethnic and folklore specifics. The second section seeks to map the common features of modern compositional thinking and seeks their origin in folk music, in particular experiencing nature and religiosity. The third section contains a detailed analysis in many respects a significant composition of Estonian Veljo Tormis Raua needmine, which I try to substantiate its previous premises.
Detailed record

Interested in being notified about new results for this query?
Subscribe to the RSS feed.
Digital Repository :: Search :: Submit :: Personalize :: Help
Powered by Invenio v1.1.2
Maintained by admin.invenio@techlib.cz
This site is also available in the following languages:
Česky  English