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Symposium: ART | MUSIC | MANAGEMENT
Dekoj, Viktor ; RADOK ŽÁDNÁ, Ingeborg (advisor) ; BĚLOR, Roman (referee)
This thesis focuses on organizing Symposium: ART | MUSIC | MANAGEMENT in 2014 at HAMU in Prague.
Symposium took place on 14th and 15th of April 2014. Its programme was structuralised in two parts: lectures for public and workshops for students of Art mangement from three participating schools: JAMU, AMU and VŠMU.
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The Way of Financing the Selected European and American Orchestras
Moravec, Jaroslav ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This study deals not only with orchestras financing issues but also with culture systems in general, and it does so in different states, societies and cultures. For the purposes of the systems comparison and at the same time for relating it to the Czech Republic environment, I have chosen the orchestras of Wiener Philharmoniker, Berliner Philharmoniker and Concertgebouworkest in Amsterdam as the representatives of continental Europe; New York Philharmonic together with Chicago Symphony Orchestra from the USA; and London Symphony Orchestra from Great Britain as the border line between the European and the American world. The aim of this study is to formulate a comprehensible overview of the most important characteristics of the above mentioned issues.
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Strategic management in small artistic organizations
Žák, Matěj ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
Goal of this Bachelor's Thesis is to present the theoretical minimum in the subject of strategic management that is to be applied in small artistic organizations. Background of most of the authors cited here is deliberately non-artistic. The crucial part of this thesis deals with the insight of M. Porter (theory of competitive advantage), W. Chan Kim and Reneé Mauborgne (Blue Ocean Strategy) and M. Kaiser (strategic planning in the arts). Each of the theoretical concepts is elucidated by set of real examples of cultural organizations. Special emphasis has been put on the global importance of internet and information technology. For the same reason start-ups has been included in the group of small artistic organizations as its relevant part.
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Functioning of Music Interpretation Courses with Focus on International Summer Clarinet Workshop Domažlice and Internation Master Classes Ostrava
Čermáková, Kateřina ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
Bachelor thesis Functioning of Music Interpretation Courses with Focus on International Summer Clarinet Workshop Domažlice and International Master Classes Ostrava especially concentrates on practical side of two above-mentioned interpretation and master courses. Since hungarian virtuoso Franz Liszt laid their principles, they became an important part in developement of every young music interpreter. This thesis aims to show on particular examples how are such courses started and what is required for their fluent course. Both courses have their specific approaches and goals. From the organizational point of view, easier way was chosen by Ludmila Peterková in courses in Domažlice. She invites only one foreign lecturer and focuses on young musicians. In contrast, Igor Františák, a lead organizer of Ostrava courses, has a difficult task ahead of him every year. He needs to raise funds to pay several lecturers from abroad. On the other hand, such courses draw larger attention of both older and professional musicians.
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Comparison of the economic Operation of the Gymnasium of Jan neruda and the Music School of Prague
Králová, Tereza ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The main points of my work are parts about the economic operation of Gymnasium of Jan Neruda and The Music School of Prague and about their cooperation.
First I had to introduce the historic background of the participating schools and then I could focus on my main theme Comparison of the economic operation of the Gymnasium of Jan Neruda and the Music school of Prague.
The last chapter which is about the comparison of the study on the music gymnasium and music conservatories in Czech Republic is just the last curiosity about the music classes of Gymnasium of Jan Neruda.
During this year the music classes of the gymnasium of Jan Neruda and the Music School of Prague changes into the new institution Gymnasium and the Music School of Prague.
Even though is the Gymnasium and the Music School of Prague still rare in Czech education system we do not have any reason to expect the fall of this institution.
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EL SISTEMA-INSPIRED PROJECTS AND POSSIBILITIES OF IMPLEMENTATION OF A SIMILAR PROJECT IN THE CZECH REPUBLIC
Režová, Markéta ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The present paper is based on the Bachelor Thesis El Sistema ? A Unique Music Education System in Venezuela by the same author, 2010, and it brings the provided information up to date and expands it by adding sections on El Sistema-inspired projects and on Possibilities of implementation of a similar project in the Czech Republic. The second section provides a comprehensive view of how the project spread worldwide and describes the main trends in three practical examples from Great Britain, Argentina and Germany. The third section deals with the baseline situation in the Czech Republic, the position of the non-profit sector, competitive environment and the possibilities of financing a similar project in the Czech Republic.
The Diploma Thesis, parting from accesible sources and own experience, is aspiring to be a theoretical ground for comparative studies and thinking, as well as for the possible implementation of a similar project in the Czech Republic.
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Current situation of czech publishing in alternative and underground music
Kovalová, Terezie ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This thesis engages the question of whether it is even possible to popularize or proclaim alternative or underground project. For the analysis, I chose five publishers, Minority records , Starcastic , Polí5 , Citysurfer and Quazidelict . Originally I wanted to work also include publishing a happening agency AM180 together with their festival Creepy Teepee, but despite my repeated attempts I failed to contact its founders. After some research, I estabilished, that this community does not want to be externally presented and resists any publicity in the mainstream media.
Thesis is elaborated in an unconventional way, due to the absolute lack of information about all of these publishing companies, both in printed and online media, I decided to use form of a personal interview. Therefore I would also like to apologize for slang expression used by persons involved in these interviews. It illustrates the world which is discussed. In order to confront ideas, for all the interviews I used the very similar set of questions, that were altered depending on the specialization of the publisher.
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The Way of Financing the Selected Czech Orchestras in Comparation with Selected European Orchestras
Moravec, Jaroslav ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The purpose of this study is to explore the issues of financing selected Czech orchestras and to confront these economy mechanisms, which are well established in the Czech Republic, with some European orchestras. As the representatives of the Czech environment, I selected six orchestras in total; they are Czech Philharmonic, Prague Symphony Orchestra FOK, Brno Philharmonic, Pilsen Philharmonic, Janáčkova Filharmonie Ostrava, and PKF - Prague Philharmonia. Then, from Europe, I paid attention to the orchestras which are either close to the Czech environment in terms of history or area, or inspiring for us for various reasons. Specifically, I work with the following orchestras: Berliner Philharmoniker, Het Koninklijk Concertgebouw in Amsterdam, the British London Symphony Orchestra, and Slovenská filharmónia. The goal of this study is to create an overview of economy characteristics of all these Czech and European orchestras, to compare these ways and evaluate them.
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Financing the cultural sector in the Czech Republic
Krejča, Tomáš ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This diploma thesis looks at the region 's cultural sector in the Czech Republic , its functioning, structure and systems of financing. The basic approach of this work is economic and analytic view. The work deals with the environment in which cultural product is formed , the environment in which it is implemented, about the financial mechanisms that allow the formation of the product. Based on the analysis of specific data reflects upon the efficiency of certain bodies and over the meaningfulness of their financial, management and production mechanisms. The thesis analyzes the basic sources of funding for the cultural sector in the Czech Republic and based on the known attempts to suggest possible new methods and modifications to existing funding leading to greater efficiency and possibly better functioning entities within the sector involved, as well as the entire industry itself. However, this is only relevant proposal, which may contribute to improve the current attempt. But to definitely find new effective financing solutions of cultural sector to streamline the functioning of the current system and solve some of the problems associated with its functioning is not and can not be the aim of this work.
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Prague Film Orchestra
Kroužková, Marie ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The present study primarily deals with the functioning of a student symphonic orchestra, i.e. The Prague Film Orchestra. It gives an overview of the Orchestra pursuits from its establishment up till its 10th anniversary, which is commemorated this season. Furthermore, the thesis offers a detailed description the Orchestra organizational layout, its financial back-up, concert venues and its repertoire. Apart from that, the paper accounts for the changes related to the title of this corporate body owing to the new Civil Code.
Last but not least, authentic examples major film music projects of the world format and their product specifics needs are included. Finally, a brief outline of the development and the history of film music from the period of Silent film till the time of The Hollywood Golden Age and the most famous film music composers is provided.
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