Home > Search Results: Kosinová, Monika
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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Embroidery and activism in contemporary art
 Kosinová, Monika ; Vartecká, Anna (advisor) ; Gajdošíková, Pavla (referee)
In the theoretical part, the diploma thesis deals mainly with the traditional feminine handicraft technique of embroidery in the context of activism in contemporary art. It categorizes embroidery into high art such as painting or sculpture. It tries to study embroidery from several levels. It compares the historical development of this textile medium with embroidery in contemporary art and seeks their changes. Thesis deals with the common relationship between this art technique and the development of activism. Activism clarifies and places in historical, sociocultural and other contexts. It mentions exhibitions and artists dealing with embroidery and activism inland, but this work also concerns foreign works. Analyzes the concept of craftivism. It examines how and how often textile materials and handicraft techniques are implemented in art classes. The acquired knowledge will be applied in the didactic part. The practical part deals with craftivism, which came to the fore in the 21st century. The craftivism art group seeks to link contemporary embroidery techniques with activism. The advantage of the textile material is its handicraft processing and easy availability. It examines how craftivism has changed from its inception to the present and implements this knowledge in its artistic...
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Fashion as a feminist tool of the 20th-century
 Kosinová, Monika ; Svatošová, Zuzana (advisor) ; Magidová, Markéta (referee)
The bachelor thesis deals with the problems of the first two waves of feminism, which is reflected in the 20th century fashion. It explains what feminism is and what its historical contexts are. An overview of the evolution of fashion of the 20th century will be divided by decades and will show its fundamental changes a impacts on society in connection with the development of women's movements. The work differentiates between world and domestic fashion and accentuates the attitudes of crucial personalities of fashion design on this issue. The historical overview will be complemented by a proposal and reflection on the partial realization of its own pedagogical project aimed at linking the field of clothing design and feminist issues.
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