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FROM ACTRESSES OF J. K. TYL TO SKLENÁŘOVÁ- MALÁ
Marková Chválová, Lenka ; Sílová, Zuzana (advisor) ; Císař, Jan (referee) ; Hyvnar, Jan (referee) ; Šípek, Jiří (referee)
This dissertation thesis describes in detail the evolution of the feminine acting and changes of the image of womanhood in drama and theatre of 19. century in Bohemia, from the formation of the first Czech professional actor?s ensemble in the forties, to the greatest Czech actress of the 19. century ? Otýlie Sklenářová-Malá and it describes all that in direct context and connection with the formation of the Czech drama from J. K. Tyl up to the playwrights of the Prague Provisional theatre ? V. Vlček and E. Bozděch. The study follows the creative cooperation of the exceptional artistic personalities at theatre and it engages in forms and sense of actor?s dramaturgy as the way to develop the original talent and the deep theme hidden in the actor. The thesis proceed mainly from the authentic period evidence and it overcomes some repeated preconceptions of the theatrical history.
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A philosophical postulate about the signifikance of the art of theatre in the 21st century
Hlava, Nina ; Hybner, Boris (advisor) ; Petišková, Ladislava (referee) ; Hyvnar, Jan (referee)
In my work I place a sociocritical light on the inherent events on the stage in the 21st century. I address topics such as cynicism and decadence and point out that the art of performing leads to ambivalence, and therefore resulting in a diremption in the art of acting. I continue my philosophical discurs in the spirit of perceptionalism and ask the provocative question, has theatre, especially in Europe, become a victim of narcissism and therefore turned its back on its political and sociocritical functions. The use of petitio principii has been helpfull in explaining the paradoxical term of ?physical theatre?. I want to illustrate that this youngest form of theatre shows a tendency of moving away from the social ethics and more towards individual ethics. At the conclusion of my work I confront my pessimistic outlook with an aesthetical approach in which I make an appeal to have confidence and believe in the philosophy of beauty again.
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Theatre and iIlusion
Bartoš, Zdeněk ; Císař, Jan (advisor) ; Hyvnar, Jan (referee) ; Porubjak, Martin (referee)
The thesis explores different meanings of the illusion in theatrical context in the past and searches how to define this effect. It compares definitions in classic resources (Fureti?re, Marmontel, D?Aubignac, Stendhal, Hugo etc.) as well as in contemporary dictionaries (Pavis, Corvin) and asks a question if an illusion as a false appearance of reality (in so far the spectator forgets he is in the theatre or takes the watched performance or its part for a real event) is possible. The study affirms such an illusion is excluded in essence, except for occurrences when the theatre-goer is unable to distinguish between the intentional and unintentional potency included in the artwork (according to Mukařovský) or between the technical and image aspect of the work (according to Zich) or he does not discern a model from the original (according to Osolsobě), i.e. he does not identify the theatre as such. Author quotes some concrete (feinted or real) examples of an irruption of ?extra-theatrical reality? into a running show. Main part is consecrated to the analysis of the illusion as in-play (i-llusio), i.e. creation of a ?ludic reality?, framework of a game which theatre-goers may join. Author considers this playful, ludic aspect, contained in the root of the word ?illusion?, as the most important and vital thing related to matters of the theatre illusion. It is necessary to think over possibilities how to involve spectators in such a game (play) and consequences of these attempts. Effects of theatralisation, once considered as anti-illusive effects, are very close to it (today we can look at them as on a small part of rich theatrical conventions).
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Theatre school system in our country till 1945
Davidová, Iveta ; Císař, Jan (advisor) ; Stehlíková, Eva (referee) ; Hyvnar, Jan (referee) ; Sílová, Zuzana (referee)
The main topic of my thesis deals with the birth and the follow-up progress of the theatre school system and the pedagogy of dramatic art in our country from the beginning till 1945. It is based on the Music Theatre Department of Prague Conservatory, but it does not also neglect the Music Theatre Department of Brno Conservatoire, the various private theatre schools, the theatre companies and associations, which employed the theatre youth and the pupils of both Music Theatre Departments during 2nd world war, especially.
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Creating Theatre
Hrbek, Daniel ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Císař, Jan (referee)
In the course of the 1990s, prague treatres saw a dynamic development linked to the change of the political regime, to the emergene of a new theatre generation (the treatre trend- and poetics settrs gradually replaced),tot he conceptual and spontaneous transformation of the Prague theatre networ, and also to the changes in financing of culture in prague. As a result of this development, in the 1990s new theatr companies and theatres were established or recreated. On the other hand, other traditional theatres ceased to exist.
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Introduction do Acting
Janák, Aleš ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Císař, Jan (referee)
Leningrad., October 1993, Komsomol Community Centre at the Vasiliev Island. Rehearsals and training. Theatre Probiology. discoveries and search of the basic segments of theatre. Setting the precise border between theliving and unliving on the stage. While rehearsing and first of all while acting, we focused on finding the basic segment: when does one become an actor? We formulated certain aassociations and concluded oir own rules on the basis of the fiorst discoveries of relations between body and living immovable object and any space in which it was situated or just happend to be
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The Expression as life experience
Dočolomanský, Viliam ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee)
Obsahom tejto práce je reflexia praktík tvorby dvoch inscenácií súboru Farma v jeskyni, ktoré jsme vytvárali počas mojho doktorandského štúdia na DAMU pod vedením prof. Jaroslava Vostrého. Obidve incenácie vznikali na podnet základného výzkumu v zvolenom kulturnom teritoriu. Sonetom temné lásky predcházala výprava do Andalúzie, inscenácia Sclai- Emigrantova Píseň sa rodila z výpravy na východné Slovensko.
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VOICE AND MOVEMENT
Jawor, Maja ; Hyvnar, Jan (advisor) ; Lipus, Radovan (referee) ; Pilátová, Jana (referee)
Niniejsza praca stanowi refleksję nad problematyką techniki i twórczości aktorskiej na podstawie moich doświadczeń wypływających z procesu pracy w Akademii Praktyk Teatralnych ?Gardzienice? oraz w teatralnym studio Farma v jeskyni w czasie prób do przedstawienia Sclavi / Emigrantova Pĺseň.
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