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Stroller
Pikalík, Daniel ; Capko, Štefan (advisor) ; Hybner, Boris (advisor) ; Halaš, Adam (referee)
In form ofa reflexion this graduation thesis treats poetically the destiny of a comedian from his first exhibitions until the present day. All the dusty trails the comedian encountered are expressing the suffering and the belief in people who were born for a freelance profession. A fictional character speaking through the voice of history is helping, together with quotations and thoughts of important personalities interpreted in a comedial shade. Each of the periods left a trace on the art of comedy, which cultivated and endured until today.
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Looks Through Peter Brook
Mléčková, Zuzana ; Capko, Štefan (advisor) ; Sochor, Martin (referee)
The aim of this work is to find answers for young actor's questions about the purpose, ways and methods of the theatre in experience and ideas of meaningful English director Peter Brook.
During finding out these answers we can know much more, because Peter Brook is the very versatile artist, the admirer of traditional works of art and the great experimenter at once.
His artistic work is in conjunction with the real life and that is why the result of this work is not only instructions about artistic methods and techniques, but also finding and understanding his life philosophy.
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Direction in mime theatre
Čechová, Miroslava ; Zárubová-Pfeffermannová, Noemi (advisor) ; Hybner, Boris (advisor) ; Capko, Štefan (referee)
The thesis concerns direction of mimic performance, which means performance
where mimic and motive expression dominate over verbal expression and
where is the function of author, director, choreograph, dramaturgist and actor
represented by one man, who combines all these features. The role of the
director and directive compositional structure is not only indubitable, but also
necessary even for the smallest theatre acts like e.g. a solo pantomimic étude.
Presented compositional techniques, divided into directive and choreographic
techniques, are amended by particular examples from the acts of the Theatro
Pantomissimo and the Spitfire Company.
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Acrobatic Act
Brtnická, Eliška ; Pachl, Petr (advisor) ; Capko, Štefan (referee)
In this essay, I try to answer some question about acrobatics in theatre. At first I cite the definitions of terms, that I use afterwards in the thesis. Two parts concerning acrobatic expression and creation of acrobatic act are Fundamentals. Briefly I turn to the history, to the "cirque nouveau" genre and to dramatic acrobatics in practice. For better imagination I use some pictures and videos like completment.
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Therapy by movement
Klimová, Jana ; Rebcová, Monika (advisor) ; Capko, Štefan (referee)
In this thesis, I try to refer to the importance of the therapy by movement. Briefly I turn to the history and to the movement itself.Than I mention different types and forms of the therapy by movement. Afterwards I describe the work of the therapist and for better imagination I join an interview with one of them.In the end I cite the definitions of the terms, that I use in the thesis.
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Haw otherwise
Richta, Pavel ; Capko, Štefan (advisor) ; Zárubová-Pfeffermannová, Noemi (referee)
Abstrakt
To make this them I have been inspirited by one sentence from one of my main teacher. One day, probably six month ago, he said: ?On the door to our atelier should be written HAW OTHERWISE!? I asked him what he means by it.
He replies:? You study theatre here right. And you study some kinds of way haw to make theatre right. May be we can study here more like haw we can make theatre in otherwise ways. I mean imagine some dramatic situation by you and tell haw much kind processed can be done. After that try imagine some other way haw can be this situation worked some new, some novel.
This start interest me ant this events leading me up to chose this them to my bacillary work. I start from the point that, if I want approach something new I must examine the style what have been already discovered.
To this lead me one book from Raymond Queneau, translate by Barbara Wright ? Exercises in Style. Where author use one short story about the boy who lost his bottom and about his meeting in the bus with his friend. In ninety nine variations styles like changing slang or person witch tell the story or with double beginning.
My first goal was trying something same like Queneau, but implicated in to the theatre. By virtue of this was born idea that may be the point to explore haw otherwise making theatre.
The trailer in on the DVD like appended document
The trailer is not the record from the true performance it is just study material, to inspiration in the case. Trailer was produce by my friend from AMU.
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