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The path of the water - Land art elements in the context of urbanization of Czech countryside of Český Krumlov
NOWAK, Bohumír
This work is complementary theoretical part of my practical art project on "Path of Water". Introductory chapter is devoted to the water. I'm investigating physical properties of the water in different states of matter and particularly its movement. I even consider its place in the art. The second chapter is devoted to the development of the landscape and its changes caused by the nature and human. The third chapter deals with the meaning, origin and history of land art in the world and in Bohemia. The fourth chapter describes the most interesting places and history surrounding the village Staré Dobrkovice in which the chosen place can be found. Intentions and descriptions of implementations are dealt with in fifth chapter. In the end I summarize the development of entire project and individual parts and I evaluate individual achievements and meeting of determined criteria.
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Reality and Virtuality of Game in Postmodernism
BENEŠ, Luděk
The thesis focuses on virtuality and reality of game in history of human culture and on its recent pozition.The first chapter adresses reality and virtuality of game in traditional view definitions. The second chapter describes the evolution of culture in game since human origin to postmodernism and the evolution of game in art. The third chapter takes on the evolution and conditions of postmodern culture, and also game in postmodern art. Further it describes virtuality and reality of game and society nowadays. The fourth chapter again compares recent author's definitions of game and closes the thesis with resulting definition of virtuality and reality of postmodern game.
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Development of Cultural Properity, Upbringing for Taste and Possibility Motivation in Frame Pedagogy Free Time
KOPECKÁ, Linda
My final thesis describes ways of development of cultural properity, trainings of mind and possibilities of motivation in frame pedagogy free time specialized on a Primary School. Theoretical part contains and explains terms culture, palate (taste), elegance, arts, motivation and free time. Also specify primary school education, creative discourse, in this period and shows the use plastic art in public nursery like one of the key options of spending free time. Practical part focus on a project of plastic arts divided into creative activities realized in the public nursery of the pupils of primary school. Each activity containt detailed motivation, described procedure, conclusion and evaluation of children. This part contains also relationships and dependences between all cultural subjects such as arts, dramatization, music, and gymnastics. Explain as well the structure, application for needs of primary school. Particularity of the work of children in the age of primary school is creativity, spontaneity, unprompted action, enthusiasm, positive stance. When the children are properly instructed they cooperate with their equal, tolerate them and are very help full to each other.
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Reception and Reinterpretation of the Ancient Symbols by Early Christianity
BELATKOVÁ, Martina
This Thesis refers to ancient iconography themes and symbols, which were received by early Christian Art. Primaly, it concerns the reception of form. By means of analysing ancient content and context the paper tries to find a parallel between ancient and christian motives. In this way it intend to answer the question why a concrete theme was taken over. In case the reinterpretation is possible, the thesis offers the interpretation based on biblical theology. This volume presents motives from the Christian catacombs of Rome and also motives derivated from Roman triumph Art, dated to the first centuries.
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Motivation Towards the Visual Arts via Art Techniques in Free Time Pedagogy
TREJBALOVÁ, Martina
Motivation youth towards the visual arts via art techniques in free time pedagogy. The purpose of bachelor work was analyse by means of young people motivation to positive affinity to plastic art. Theoretic part put brain to explication basic concepts, which be related to work theme. The first chapters I explained bacis consepts, namely conception art, plastic art and aesthetics in human relation to mentioned values. In the next chapters I put mind to guestions of young people, guestions and importance of the free time. The last theme of theoretic part is motivation. Motivation in the concepts definition and motivation youth to visual art activities by means of today`s visual arts projectes. Practical part put mind to the plastic project ,,Colour sensation of music``. The purpose of the project is visual expession of subjective experience, which was induced by the auditory sensation of music. The project is specialised for young people. Now it`s harder motivate them to every activities with the visual activities. So I wanted to find one way to motivate young people to visual activity trough this project. Conclusion of bachelor work summarises knowledges and observations sequence of this visual project.
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Railway Station
PETRÁŠOVÁ, Jitka
The theoretical part of this work refers to the presence and approach to the technical element in former and current Czech art. It closely inquires into this theme in the work of the outstanding contemporary Czech artists and it also mentions the graffiti phenomenon and its influence on the present artistic production. Furthermore it explains my intention and technical method in the course of creating the practical part of the work - a cycle of six thematic paintings.
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On the Role of Man in the World (Contemplations in the Late Works of Jan Patočka)
PIZINGER, David
Annotation This work is interested in the late philosophy of Jan Patočka. The leading idea is to find basic motives in Patočka{\crq}s concept of The care of soul, and tries to make a connection to his life and social context. One of the most important expressions of the social reality is art. Jan Patočka{\crq}s continuing theme was the problem of human exsitence. How to live an authentic life. The post modern art is also interested in being authentic. The man according to Patočka is a personality determined by going out of his self and by finding this self from a different point of view. That is the question for performing arts: How to express the inside to be visible, how to make it a partner of a dialogue? Which means that Jan Patočka{\crq}s philosophy can be realized by some special kind of praxis. A praxis which is not practical as such. In the works of Jan Patočka, Being and social role play a substantial role. The problem of narration {--} a myth as a part of the process of young man{\crq}s identification and his acceptance from the society. The question of how to be a part of a society implicates another one: what are the foundations of society? What is the idea of European society? Questions concerning the heritage of Europe are {--} in anticipation {--} questions about the sense of Europe (or the European Union) today. In general, is there a possibility to live together, in any kind of human comunity? Through society he gets back to individuality with its questions. Patočka tries to ask concrete questions, expecting answers from Being itself. What is important: he doesn{\crq}t want to make a comprehensive system (following the example of Platón), he only urgently seeks the questions which can open the Being's truth. The sources: This work uses Jan Patočka`s texts from the 1970s. It compares them with texts from the field of art and tries to find their historical context.
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The art and the picture collection on the court of Humprecht Jan Černín in the second part of 17th century.
KURUCOVÁ, Miroslava
In accordance with the latest researches this Diploma Thesis is not only focused on the general development of individual collections but deals with investigation of individual aspects of a particular example. The picture collection that was used for this purpose can be found within the yard of Humprecht Jan Černín from Chudenice and dates from the second half of the 17th century. Primarily, the Diploma Thesis strives to get hold of those aspects that influenced the relation of Humprecht Jan Černín to fine art, mainly in term of economic and social background including his personality traits. It concentrates on such events that awakened his interest in fine arts, for example education, effort to improve and consolidate his social position or effort to continue in the tradition of his ancestors.
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History of the Primary School of Art in Třeboň
BENEDOVÁ, Tereza
The rich cultural life of Třeboň is significantly related to the activity of the Primary School of Art in Třeboň. That is why it has become the subject of this thesis. Attention is also paid to the development of musical activities in Třeboň throughout the history (at the era of the last Rožmberks, during the National Revival and the painful time of World War I and II and finally at the present time). Among the most important events belongs the foundation of the choir Pěslav (later referred to as Pěslav {--} Ozvěna), the establishment of the Třeboň Philharmonic (which after the World War II became the Třeboň Symphony Orchestra) and above all the establishment of the musical school in 1949. This musical school is dealt with most minutely on the following pages, because it trains not only future members of the before-mentioned amateur ensembles but also prospective experts holding important artistic positions all over our country. At present the Primary School of Art in Třeboň has along with its musical department also younger departments of dance and fine art and its pupils and teachers significantly contribute to the richness of the cultural life of Třeboň.
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Mirroring
ŽEMLIČKOVÁ, Monika
This Diploma Thesis deals with {\clq}qMirroring`` and consists of 2 parts. Theoretical part is focused on the definition of the topic from several points of view in connection with psychological aspects of inner experience of the individual and his own existence. There is also an overview of art from the nineties in the nineteenth century to the eighties in the twentieth century, where I concentrate within these years on certain pieces of Jan Preisler, Emil Filla, František Jiroudek, Karel Souček, František Ronovský, Jíří Sozanský, Václav Bláha jr. and their inner perception. Practical part copies the topic and inner experience in a dialogue with the world together with the illustration of my inspiration and mind solutions. It contains six portraits in a size of 155 x 80 cm and supplementary sketches.
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