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Isang Yun and his Works for Oboe
Kozáková, Kamila ; BROŽKOVÁ, Jana (advisor) ; MIHULE, Jiří (referee)
Isang Yun and his works for oboe is a title of this master thesis. It introduces a personality of a Korean composer Isang Yun and it focuses on his works for oboe. The first chapter contains resumé of principal moments of the composer´s life. The next chapter briefly touches characteristics of a traditional Korean music, how the western culture is displayed in the Korean music, what is her influence on the Korean music and their inosculation into each other. The following chapter describes a compositional style of Isang Yun in which elements of both different cultures combine in a unique way. Yun´s work is devided here into five stylistic periods and in this chapter one fractional subchapter is also introduced where an insight into a few compositional techniques of the composer, can be found. Final chapter contains analysis of five compositions, which Isang Yun wrote for oboe "Piri, Doppelkonzert for oboe and harp, Rondell, Quartett for oboe and strings and Bläserquintett.
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Sir Malcolm Arnold. Life and work, focusing on flute repertoire
Reiprich, Oto ; PIVODA, Radomír (advisor) ; VÁLEK, Jiří (referee)
The thesis concerns Malcolm Arnold, one of the most significant English composers of the 20th century, and his favorite instrument - the flute. In the biographical part it focuses on Arnold`s difficult and complicated life, his mental illness and the consequent impact of these facts on his work. It gives special attention to personalities and circumstances which are associated with Arnold`s compositions for flute. The second part involves formal and harmonical analysis of his two concertos for flute and orchestra and the Fantasy for solo flute. I have factored in the influences of different 20th century musical styles - serial methods, jazz, cabaret performances - in his composition techniques. The work is based on my personal interpretation experience.
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J. Haydn - Works for French Horn
Dekoj, Viktor ; DIVOKÝ, Zdeněk (advisor) ; BABORÁK, Radek (referee)
This thesis focuses on musical pieces writen by J. Haydn which feature horn as a solo or prominent instrument. That includes solo concerts, double concerto, chamber and orchestral music.
Authors biography focuses on orchestras which he worked with and on abilities of players which he wrote his music for.
The work lists solo pieces, chamber pieces and orchestral pieces that feature the horn.
This thesis concludes with analysis of horn concerto Hob. VIId:3.
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Clarinet´s Concertant Pieces by Viktor Kalabis
Černohouzová, Jana ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
My Bachelor Thesis "Clarinet´s Concertant Pieces by Viktor Kalabis" is aimed on life and work of Viktor Kalabis. The first part of my Bachelor Thesis deals with composer´s career and life reflecting into his work. In the second part I write about evolving of his compositional technique and about factors that affected it. Subsequently I mention pieces for clarinet that I divide into two groups. The first of them contains pieces without opus number; these were not determined by the composer to be performed. With more details I write about pieces with opus number that extend contemporary clarinet repertoire. Mainly I deal with interpretation issue of his work for clarinet. In particular analysis of these pieces I wanted to point on progress of his compositional technique and also on Kalabis? characteristic methods that stay still the same.
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Czech Composers for Tuba with a focus on the Feérie of Pavel Novák ? Zemek and the Concertino from Evžen Zámečník
Salajka, Petr ; MALIMÁNEK, Karel (advisor) ; SUŠICKÝ, Jiří (referee)
In my Bachelor thesis I focused on the Czech composer for tuba with a focus on the Feérie from Pavel Novák Zemek and the Concertino from Evžen Zámečník. My goal was to gather information on the history of the present form instruments, methodologies for tuba playing, Czech tuba school, and Czech composers of works for tuba, which I have analyzed in detail. I tried in my work honestly and clearly express proceed. The work is divided into several chapters, which in some cases contain subsections. The first chapter is devoted to the history of the instrument to the present. The second chapter describes the methodology for tuba playing. The third chapter is about the Czech tuba school. The fourth chapter is called "Czech literature for solo tuba." The fifth and sixth chapter deals with the composer Pavel Novák - Zemek, Evžen Zámečník and their works.
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Czech Composers in Exil after second world War
Budínská, Ludmila ; TOMÁŠEK, Jiří (advisor) ; PANOCHA, Jiří (referee)
This Master thesis is about the situation in Czechoslovakia after The World War II. It is about impact on the cultural progress, but especially the musical progress.In politically critical years 1948 and 1968 of comunism some musical composers decided to leave their homeland.This thesis is chronologically devided according to years of emigrations of composers.The only exception was Bohuslav Martinů, who acted abroad already before the war from the year 1923 (Paris) until the postwar years.One whole chapter is dedicated to this author. The first chapter deals with the postwar time in Czechoslovakia.Following chapters describes the lifes and works of, in my opinion, the most significant czech composers in emigration:Karel Husa, Karel Janovický, Vilém Tauský, Antonín Tupčanský, Rudolf Komorous, Jan Novák and Petr Kotík.
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Viola concertanto works by czech composers after 2nd world war, personality of Zdeněk Šesták
Šušlík, Petr ; PĚRUŠKA, Jan (advisor) ; TOMÁŠEK, Jiří (referee)
This master´ s thesis aims to familiarize the reader with a
rare personality of Czech music, composer
and musicologist Zdeněk Šesták. Of his work is here most elaborated his
Concerto for Viola and Orchestra "Sokratovské meditace? with the analysis
of individual phrases and examples of sheet music, solo part and from the
score.
The work includes also other Czech composers, representatives
of approximately the same generation as Mr. Šesták, but
often completely different creative principles. The mainconnecting element
is Viola concertanto works - concertos, sonatas, songs, or nontraditional
pieces, where this instrument dominates.
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