National Repository of Grey Literature 62 records found  beginprevious43 - 52next  jump to record: Search took 0.01 seconds. 
Violin concertos by P.I.Tchaikovsky and D. Shostakovich NO.1 - Interpretations of David Oistrakh, Maxim Vengerov and Vadim Repin.
Al-Ashhab, Milan ; ŠTRAUS, Ivan (advisor) ; HŮLA, Pavel (referee)
The goal of this thesis is describing specifics of plays of David Oistrakh, Maxim Vengerov and Vadim Repin.The celements, which are characteristic for these violinists, are described in the analysis of interpretations of Violin Concertos by P.I.Tchaikovsky and D. Shostakovich. The thesis has three chapters. In first chapter I write about lifes and works of these composers and about situations at the times, when they lived. Second chapter includes comparing of playing Violin Concertos by Tchaikovsky, third chapter contains describing interpretations of first Violin Concerto by Shostakovuch.
THE GREAT VIOLINISTS OF THE FIRST HALF OF THE 19th CENTURY
Zrostlík, Jan ; ČEPICKÝ, Leoš (advisor) ; MATOUŠEK, Bohuslav (referee)
The thesis is focused on introducing most distinguished personalities of violin playing during the first half of 19th century era, considering their playing style and overall contribution to the violin playing. It introduces individual violinists according which of the foremost violin school of that time they belonged to. That means French-Belgian, German and Italian school. The extra attention is intended for character of Niccolo Paganini as a most original and innovatory personality who enriched especially technical aspects of violin playing. Finally, it briefly introduces several important violinists of the following period who successfully and significantly continued where their violin ancestors had finished.
VIOLIN COMPOSITION'S OF SLOVAK COMPOSERS, STUDENT'S OF VÍTĚZSLAV NOVÁK
Hledík, Alexander ; PAZDERA, Jindřich (advisor) ; TOMÁŠEK, Jiří (referee)
This thesis gives detailed description of selected violin pieces by composers, that studied in Prague under Vítězslav Novák. Mentioned composers are Alexander Moyzes, Dezider Kardoš and Eugen Suchoň, all of which represented Slovakian modernism. The goal of the thesis is to bring awareness of these pieces to general public as they are often times unknown. Analyses include historical circumstances that heavily influenced these pieces, interesting performance details and also excerpts of the sheet music. Thesis comes with a CDs, that includes all analyzed pieces.
Vliv variability stavby rezonančního dřeva na jeho akustické vlastnosti
Schwarzer, Martin
This work was the structure of resonant spruce wood devoted to. The tree-ring widths and summer wood measure were measured. By use of non - destructive methods their acoustic properties were measured - speed of sound, acoustic constant, logarithmic decrement of damping, acoustic wave resistance, wood - density and Young's modulus. Data were statistically analyzed and the wood structure coefficient of variation for each specimen was calculated. There were three different methodologies for verification of the wood structure variability effect formulated. Subsequently, it was found that it is possible to determine the effect on the acoustic properties of the wood macroscopic structure variability.
Ivan Galamian's Pedagogical Legacy
Snyder, Ian John ; ŠTRAUS, Ivan (advisor) ; ČEPICKÝ, Leoš (referee)
Ivan Galamian's formidable reputation as a violin teacher is internationally recognized. Many of the world's outstanding violinists studied with him at the Curtis Institute in Philadelphia or The Juilliard School in New York City, and their fame perpetuates his. At the same time, very little is known about Galamian's early years, his exact methods on the violin, his nature as a teacher, and the general question of how he accomplished such outstanding results with his students. This lack of awareness is the case in the United States, where many of his students are aging or deceased. Members of the youngest generation of violinists tend to have only a vague awareness of his writings and perhaps familiarity with his scale method - even if they are close to Galamian in the "family tree" of violinists. This lack of awareness appears to be even more the case in Europe, whose music schools and orchestras are less likely to contain Galamian students (though they certainly do). The goal, then, of this thesis is to shed much-needed light on the extraordinary life, thoughts, and teaching of Galamian. The reader should come away with an increased awareness of an important life in the history of the instrument, greater awareness of key technical points on the instrument, and an understanding of what made Galamian - and could make any aspiring teacher - great. There is also an attempt to provide balanced criticism of Galamian's method so that the reader may see what did not work in his teaching and so that our awareness of Galamian is not simply as a mythic figure but as a fully three-dimensional participant in the history of the violin.
Slovak violin creations and their performers
Nagyová, Natália ; ČEPICKÝ, Leoš (advisor) ; PAZDERA, Jindřich (referee)
This bachelors thesis about Slovak music and this concrete chapter - modern music with special view to the most important composers and their creations for violin. In the second part of the point of view is focused on the best performers of this part of Slovak music. The target was not to create the complete list of composers and performers.
Heinrich Wilhelm Ernst
Valečková, Barbora ; PAZDERA, Jindřich (advisor) ; HŮLA, Pavel (referee)
Heinrich Wilhelm Ernst (1812 - 1864) is even in these days mainly known as an author of two pieces for solo violin - The Last Rose of Summer and Der Erlkönig. Because of this the main part of this dissertation deals with Ernst's life, which was full of the mysteries - till the recent time we did not know even the exact date of birth. It is completed by the chapter about Ernst's violins and by the list of works known and lost.
Leopold Auer's legacy in his students
Kirs, Pavel ; ŠTRAUS, Ivan (advisor) ; HŮLA, Pavel (referee)
Kirs, P. Leopold Auers legacy in his students , Prague 2014. Diploma thesis. Academy of performing arts in Prague. Music faculty The goal of this diploma thesis is to describe genesis of violin school in Petersburg, which is mainly connected with the name of Leopold Auer. I focus on his musical and pedagogical ideas. Subsequently I acquaint the readers with the most significant students of him and i want to clarify by analysis of their playing, why they became so successful.
Professor Rudolf Šťastný - violinist, dirigent, pedagogue
Krestová, Eva ; PAZDERA, Jindřich (advisor) ; PANOCHA, Jiří (referee)
KRESTOVÁ, Eva : Professor Rudolf Šťastný: violinist, conductor, pedagogue. [Master´s project] / Eva Krestová - Academy of performing Arts in Prague, Faculty of Music; Consultant : prof. Jindřich Pazdera: Academy of performing Arts in Prague, 2014. This Master´s project is about life and working a signifiant czech violin personality Rudolf Šťastný with a view to his contribution as a violinist, a dirigent and a pedagogue. A constituent of this master´s project is a detailed cross-section of his life, it characterizes his personality, pegagogic methodology and there is also a chapter devoted to memories and expressions his closest people.
Development of violin Bow.
Borůvka, Petr ; MATOUŠEK, Bohuslav (advisor) ; ČEPICKÝ, Leoš (referee)
The Thesis titled " Development of violin Bow " is focused on the creation and development of violin bow in its beginning and at the same time describes his historical development. It also speaks about major European violin bow producers of the past. In this work is also described in detail the production of violin bow and materials that are used on it.

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