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EVERYDAYNESS
PEŠKOVÁ, Lucie
This thesis consists of a theoretical part, that contains passages relating to the issues of everyday life. Further highlights the views and theses related to the banality of life in sociological and anthropological sciences. The chapter acquainting us with brief encyclopedic history of everyday life has to refer to the selected daily activities such as personal hygiene, eating and so on. The theoretical part also deals with the work of certain European artists with themes of everyday life in the context and its influence on Japanese woodcuts. The practical part describes the main sources of inspiration and technology. The conclusion is generated image attachment, for a better understanding of the text.
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Structures in the Paintings by Pavel Hayek- Wider Implications of the Structuralist Background
SLUNEČKOVÁ, Eva
The Bachelor's thesis examines the work of the painter Pavel Hayek, especially the structure phenomenon, which dominates in his paintings. The three thematic parts of this study consist of individual periods of Hayek's work, which are thoroughly analysed. The main part of the thesis examines various forms of structures in Hayek's paintings and compares him with other artists, with a special emphasis placed on the production of random geometric structures, which occur in Hayek's works most noticeably. The Bachelor's thesis also notices the repetition principle and its different use in Czech and international art. The aim of the thesis is defining the wider implications of structuralist background of Hayek's paintings. Its roots can be seen among others in neoconstructivist tendency of Czech art in the 1960's and particularly in the work of Zdeněk Sýkora, whose exhibition in 1988 had a very strong influence on Hayek's work. The thesis also relates his work with a specific form of an organic abstraction in the context of ornamental and optical art. It attempts to describe possible sources of all these influences and their unique transformation in Pavel Hayek's paintings.
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Visual expression of emotions and the work upon human
BLÁHOVÁ, Lenka
The main theme of this Bachelor's thesis are emotions. The goal is to clarify this concept, and then apply it to the context of fine art. The work is divided into part of the theoretical and practical. In the part dealing with the theories has to be clarified the relationship of emotions and colors, but mainly the display of emotion through visual art. Further emphasis is placed on the impact of the work on the viewer emotional page. This phenomenon is analysed in chronological order from the beginning of mankind until the present. The practical part includes a triptych of paintings focusing on the topic of emotions, the description of the painting process, including the inspiration of resources and subsequent consideration of their effects.
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Endangered animals - cycle of paintings
ŠTĚRBOVÁ, Pavlína
The thesis is comprised of two parts - a theoretical part and a practical part. The practical part includes a cycle of paintings - a series of 8 portraits of endangered animal species in the Czech Republic. The theoretical part focuses on the reasons behind their endangered status, their current situation in the Czech Republic and a general overview of the endangered animal species issue. The thesis also presents a brief outline of animal imagery from the point of view of art history from the beginning until the present day.
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Rituals of Days
KULÍKOVÁ, Markéta
This practical thesis consists of a cycle of five paintings. These paintings are large-format, painted with acrylic paint. As for form and content, these paintings represent a figurative expression of the importance of personal, everyday rituals in the relationship of two people. The accompanying theoretical part focuses on the foundations of the practical part. It explains topics such as ritual, ritualised behaviour and intimacy; it also includes a chapter on everydayness in art, namely painting.
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Art display of pre-school children growing in different types of family background
VONEŠOVÁ, Iveta
Bachelor work with title ?Art display of pre-school children growing in different types of family background" is trying to determine whether they differ from children's art work is complete or incomplete families. The work is divided into two main parts - the theoretical part and practical part. The theoretical part focuses on preschool children's artistic expression. Specifically details the development of preschool children from different viewpoints. It also describes the relationship to the child's preschool artwork. In conclusion, the theoretical part briefly describes the factors that affect the drawing of a child. In the theoretical part of the work the differences in the artwork of children who are full of families and children where one parent is missing. Monitored is the level of graphic designs and attributes that belong to him.
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Clouds of fog, drops of rain.
NOVOTNÁ, Zdeňka
The aim of this diploma thesis is to create paintings with a technical approach close to the traditional Japanese painting. The topics of the paintings are freely inspired by the themes of short stories of Japanese writer Ibuse Masuji. The diploma thesis consists of written part and practical part. The major part of the written part focuses on the brief summary of topic of the Japanese painting and related subjects from the Japanese culture. The main topic of the practical part is the painting on the folding screens.
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An abandoned site (A serie of wall paintings in the environs of an urban outskirts)
MALÁK, Martin
In this theoretic-practically focused diploma thesis I deal with the issue of an abandoned site and its potencial for the art creation itself. Firs I attempt to foreshow the modern aspects of the art in relation to the urban outskirts creation. I focus on the distinct graffiti phenomenon an its role within the cultural developement of the modern society. In connection with forementioned I aspire to define the phenomenon of site and space. Furthermore I adress the importance of the outskirts with reference to the environmental psychology. Afterwards I carry through a critical reflexion of the theoretical knowledge fragments and apply new findings while resolving the creative task. In the practical part of this thesis I create triptych of wall paintings in the environs of an urban outskirts on the topic of an abandoned site and consequently I carry out their explication.
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Graduation Thesis Images of Friends. Contemporary portrait paintings in the works of European women artists. Collection of works inspired by relationships and people.
ČOPFOVÁ, Blanka
Abstract {\clqq}Images of Friends`` Contemporary portrait paintings in the works of European women artists Collection of works inspired by relationships and people The graduation thesis is divided into two main parts. The first one deals with the contemporary portrait paintings of European women artists; the second one concerns the ideological and technical aspect of their work. In the theoretical part of the thesis I am concerned with the diverse conceptions of portrait painting of the European women artists from the 2nd half of the 19th century until now. I have highlighted the factors which define the changes in topicality and character of the portrait painting of the artists. Within this context I have traced the influence of emancipation of the artists on their work, the influence of the visual media on the portrait genre itself, the diverse conceptions of portrait painting arising from respect to traditions of the genre or diversion from the traditions. The text also contains self-reflective parts connected to the work itself and supplementary material concerning the technical side of the work. The practical part of my thesis comprises documentation of a collection of twelve portraits.
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Railway Station
PETRÁŠOVÁ, Jitka
The theoretical part of this work refers to the presence and approach to the technical element in former and current Czech art. It closely inquires into this theme in the work of the outstanding contemporary Czech artists and it also mentions the graffiti phenomenon and its influence on the present artistic production. Furthermore it explains my intention and technical method in the course of creating the practical part of the work - a cycle of six thematic paintings.
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