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Rituals of Days
KULÍKOVÁ, Markéta
This practical thesis consists of a cycle of five paintings. These paintings are large-format, painted with acrylic paint. As for form and content, these paintings represent a figurative expression of the importance of personal, everyday rituals in the relationship of two people. The accompanying theoretical part focuses on the foundations of the practical part. It explains topics such as ritual, ritualised behaviour and intimacy; it also includes a chapter on everydayness in art, namely painting.
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Clouds of fog, drops of rain.
NOVOTNÁ, Zdeňka
The aim of this diploma thesis is to create paintings with a technical approach close to the traditional Japanese painting. The topics of the paintings are freely inspired by the themes of short stories of Japanese writer Ibuse Masuji. The diploma thesis consists of written part and practical part. The major part of the written part focuses on the brief summary of topic of the Japanese painting and related subjects from the Japanese culture. The main topic of the practical part is the painting on the folding screens.
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An abandoned site (A serie of wall paintings in the environs of an urban outskirts)
MALÁK, Martin
In this theoretic-practically focused diploma thesis I deal with the issue of an abandoned site and its potencial for the art creation itself. Firs I attempt to foreshow the modern aspects of the art in relation to the urban outskirts creation. I focus on the distinct graffiti phenomenon an its role within the cultural developement of the modern society. In connection with forementioned I aspire to define the phenomenon of site and space. Furthermore I adress the importance of the outskirts with reference to the environmental psychology. Afterwards I carry through a critical reflexion of the theoretical knowledge fragments and apply new findings while resolving the creative task. In the practical part of this thesis I create triptych of wall paintings in the environs of an urban outskirts on the topic of an abandoned site and consequently I carry out their explication.
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Graduation Thesis Images of Friends. Contemporary portrait paintings in the works of European women artists. Collection of works inspired by relationships and people.
ČOPFOVÁ, Blanka
Abstract {\clqq}Images of Friends`` Contemporary portrait paintings in the works of European women artists Collection of works inspired by relationships and people The graduation thesis is divided into two main parts. The first one deals with the contemporary portrait paintings of European women artists; the second one concerns the ideological and technical aspect of their work. In the theoretical part of the thesis I am concerned with the diverse conceptions of portrait painting of the European women artists from the 2nd half of the 19th century until now. I have highlighted the factors which define the changes in topicality and character of the portrait painting of the artists. Within this context I have traced the influence of emancipation of the artists on their work, the influence of the visual media on the portrait genre itself, the diverse conceptions of portrait painting arising from respect to traditions of the genre or diversion from the traditions. The text also contains self-reflective parts connected to the work itself and supplementary material concerning the technical side of the work. The practical part of my thesis comprises documentation of a collection of twelve portraits.
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Railway Station
PETRÁŠOVÁ, Jitka
The theoretical part of this work refers to the presence and approach to the technical element in former and current Czech art. It closely inquires into this theme in the work of the outstanding contemporary Czech artists and it also mentions the graffiti phenomenon and its influence on the present artistic production. Furthermore it explains my intention and technical method in the course of creating the practical part of the work - a cycle of six thematic paintings.
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Civilization´s problematic in the 21st Century
STRAKA, Jakub
The thesis consists of theoretical and practical parts. The practical part represents a series of paintings in which the author is engaged in transcription of personal experiences and impressions of the world marked by a human phenomenon. The theoretical part discusses the quest for the ultimate artistic output and initiatives, which led the author to comment on this topic. In the context of finding appropriate means of expression for the final artistic output, the author reflects on the diversity of artistic approaches and methods used in the presentation of issues of civilization in the world of art.
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