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ASFALT IS LIQUID
Prokop, Tomáš ; Novotný, Jaromír (referee) ; Ambrůz, Jan (advisor)
This installation is thematicly associated with my long term sold problems which is connected with loneliness, parting, leaving. I put the stress on the act of physical nearness which looks like a touch or contact but in fact it isn't so. Just this nearness generates inside tension. As you can see the installation is based on simple principles resulting from the abilities of a material. It is about two blocks of asphalt which spontanously produce a pressure on the glass. In this case the glass has the importance of imaginary dividing level which prevents a physical contact. A glass obstacle makes the fusion of the two asphalt blocks impossible. Despite a volatile character, asphalt will run down. The installation results from a human standard because the blocks of asphalt have a human proportion. I give the blocks a statute of beings who long for a touch but without success. The fusion is impossible.
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(Now what?)
Šťastná, Kateřina ; Chamonikolasová, Kaliopi (referee) ; Gabriel, Michal (advisor)
The topic of the bachelor thesis is touch. The work builds on the fascination with touch, analyzes how different contents can be associated with a gesture that symbolizes something very subtle, fleeting and even fleeting, but at the same time can elicit a very intense and calmly long-lasting response. The output of the bachelor's thesis is a figural sculpture, the prototype of which is the author herself at the age of ten. By depicting a girl's body at an age when it is physically beginning to transform into a woman's body, I ephasizis the touch in its inconsistency, perhaps subtly uncertain the audience and raise questions focused on what the touch means to us.
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Mamocs
Mojsl, Nikola ; Maixner, Miroslav (referee) ; Gabriel, Michal (advisor)
The main target of my bachelor’s thesis is to present the fictitious tribe of Mamoks, which I create with the help of hyperrealistic procedures in combination with expressive elements. Subsequently, a very non-traditional display comes to existence with this method, combining reality with fiction and fantasy. The work is composed from four sculptures which create two different stories afterwards.
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Fragile World
Jindrák, Matěj ; Monika,, Mitášová (referee) ; Ambrůz, Jan (advisor)
In my final thesis I will focus tonatural wood, whileworking with itin a free manner. I will add other materialsaccording to design process. The res ult will be installation of spatial obj ects into selected environment.
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Torso
Bílek, Ondřej ; Šebánek, Jan (referee) ; Gabriel, Michal (advisor)
As a practical diploma work I modeled and cast a statue fragments of a life-size gorillas. It is another statue with the theme of humanization, which I dealt with in my previous tvorbě.Tentokrát but not a physical intervention (human eyes, skin color), but the position in which the classical sculpture displayed in the human body.
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Transformation
Mucha, Petr ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
Transforamtion sculpture points to what I as an author see as the only one truly meaningful fullfilment of human existence which is an abilty of self transformation. Finding the absolute destination.
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My Private Collection - "Tetraptych"
Nikitina, Pavla ; Skalický, Martin (referee) ; Gabriel, Michal (advisor)
The bachelor thesis deals with increasing and transfering texture details of abstract paintings into sculptural monochrome reliefs. My collection of 3D detail scans of abstract paintings from world-famous museums served as the basis for my work. The result is four sculptural reliefs created by robotic machining into polyurethane blocks based on the 3D scans.
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Architecture and Art
Hrončeková, Barbora ; Hybská, Bohumila (referee) ; Hora, Jan (advisor)
The design of City Gallery in Litomyšl reacts to the viewpoints of the city’s structure with the number of volume in various heights. The volume of the building is divided into 5 units with different height levels. The main principle is the connection of urban spaces, whether in the form of terraces, which are accessible to the public and connected by exterior staircases or in the form of volumes. Volumes tactically change their height based on the purpose and filling of a given volume, the phase of passage from one elevation to another, or the desired expression. They recede and create semi-public terraces and courtyard, ascend or protrude and form dominants. At the point of direct vision from the square, the mass of the highest floor recedes, and thus does not disturb the desired expression of the church.
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Precarious Society
Schlosserová, Jana ; Lukášová,, Helena (referee) ; Gabriel, Michal (advisor)
The installation is formed from the fifth sculptures, individuals, larger than life size. Their bodies are just shapes and surfaces, which leave place for the rest of the human form. The form is preserved only in black-and-white photography, in portraits, which are part of the sculptures. They ostensibly do nothing, like stopping in time. However they move, but for that move is neccessary initial impetus and it is the role of the viewer. Instability of sculptures is an expression of the unstable position of the human beings in today's society (the origin of instability). Sculptures creates society thanks for their quantity, community and contact.
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