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The underground culture through prism of contact between political power and ideology
Jungmannová, Lenka
The contribution concerns non-official journalistic discussions on character of non-official Czech literature during the communistic perior. The text references important controversy over conception and acceptance of underground culture in Czech countries (critic Václav Černý rejects it, theoretist Ivan Martin Jirous defends it), and than goes into the two phazes of theoretical reflection so-called second culture, what was implicated from this polemic and what is represented mainly Petr Fidelius´s, Rio Preisner´s, Jiří Gruša´s and Václav Havel´s opinions. In the end contribution demonstrates these theoretical texts also shows certain ideological taint which is done of conventional image about contact between rationalization and political power, how Michel Foucault describes in study The Subject and Power.
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Order and Ideology in the Czech Drama of the 20th century
Janoušek, Pavel
Drama is comprehended here as a literary genre substantially linked with a generally obligatory form of transcendence, i.e. with the faith in a natural Order (be it God, Universe, Truth, Tradition, Custom or a superindividual Principle of History). The Czech drama of the 20th century (especially of its second half) has provided examples of ways and devices employed by the playwrights trying to find support in an order of this kind.
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Dispute over sense of Czech history and Czech modern drama
Vodička, Libor
The study deals with some developmental relations of the Czech drama of the end of 19th and the beginning of the 20th centuries, when the endeavour of the times to formulate a symbolic construct of the so called sense of the Czech history was, at the same time, analogically reflected in the manner of subject construction of several stage plays.
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Metaphors of memory
Jedličková, Alice
The author of the essay observes the frequent occurence of the notion of memory in the work of the exiled writer Sylvie Richterová, while paying particular attention to the fiction Slabikář otcovského jazyka, where it is represented in a plethora of metaphors which include aspects both of the individual and the cultural memory.
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