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Church in the housing estate
de Brito, Dagmar ; Todorov, Petr (referee) ; Štěpán, Marek (advisor)
The proposed church is set in a terraced terrain north-south slope and its configuration is handled in accordance with the existing communication structure. At the same time the church does not block an open view of the distant horizon. The object is designed intentionally as horizontal as opposed to verticality of very high residential buildings surrounding the site. Next to the church building rises a path, whose trajectory was previously naturally done by people who have used the path as a shortcut across the hill. The building is trying to hold a dialogue with this path, thus the building can be entered from the path. The lining of the path also creates the desired public spaces. The main space of the church is hidden in the heart of the building, as the soul is hidden inside the body of man. Sacred space is clearly defined by a cylindrical tube, around which the other floors are placed. The tube that is also holding a ramp penetrates through the entire building, thus giving a ubiquitous presence of the temple on each floor via perforated round holes. The ascending ramp also serves as the way of the Cross starting on the ground floor of the presbytery and finishing as the last 14th stopping at the very top of the at the upper entrance. The church is accessible in two ways - with the upper entrance with a ramp going down, or directly from the bottom floor main entrance. Both options offer different spatial perceptions. The access from the ground level starts at the entrance with a direct view to the sacrificial table and suddenly opens up at into the sacred space. At the upper entrance the sacral space opens up slowly as the visitor ascends the spiral ramp that gradually opens up into three choirs at various heights and with different uses - gradually from above - choir, organ, believers. Organist for the choir has its own auxiliary staircase. The space the church offers many different spatial shapes, corners and connections. Different heights provide different perception - from intimate prayer alone to experience the Great Assembly.
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TOWNHOUSE ON THE WATERFRONT IN PŘEROV
de Brito, Dagmar ; Nový, Vítězslav (referee) ; Františák, Luboš (advisor)
The task of this final project was to come up with an urbanistic and architecturla idea for a gap site in the town of Přerov. There is very atractive view from the site towards the castle and old town of Přerov. I came up with two main masses - horizontal and vertical. In the vertical mass there are offices, horizontla contains luxury housing. Under theses two masses is commerce.
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TOWNHOUSE ON THE WATERFRONT IN PŘEROV
de Brito, Dagmar ; Nový, Vítězslav (referee) ; Františák, Luboš (advisor)
The task of this final project was to come up with an urbanistic and architecturla idea for a gap site in the town of Přerov. There is very atractive view from the site towards the castle and old town of Přerov. I came up with two main masses - horizontal and vertical. In the vertical mass there are offices, horizontla contains luxury housing. Under theses two masses is commerce.
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Church in the housing estate
de Brito, Dagmar ; Todorov, Petr (referee) ; Štěpán, Marek (advisor)
The proposed church is set in a terraced terrain north-south slope and its configuration is handled in accordance with the existing communication structure. At the same time the church does not block an open view of the distant horizon. The object is designed intentionally as horizontal as opposed to verticality of very high residential buildings surrounding the site. Next to the church building rises a path, whose trajectory was previously naturally done by people who have used the path as a shortcut across the hill. The building is trying to hold a dialogue with this path, thus the building can be entered from the path. The lining of the path also creates the desired public spaces. The main space of the church is hidden in the heart of the building, as the soul is hidden inside the body of man. Sacred space is clearly defined by a cylindrical tube, around which the other floors are placed. The tube that is also holding a ramp penetrates through the entire building, thus giving a ubiquitous presence of the temple on each floor via perforated round holes. The ascending ramp also serves as the way of the Cross starting on the ground floor of the presbytery and finishing as the last 14th stopping at the very top of the at the upper entrance. The church is accessible in two ways - with the upper entrance with a ramp going down, or directly from the bottom floor main entrance. Both options offer different spatial perceptions. The access from the ground level starts at the entrance with a direct view to the sacrificial table and suddenly opens up at into the sacred space. At the upper entrance the sacral space opens up slowly as the visitor ascends the spiral ramp that gradually opens up into three choirs at various heights and with different uses - gradually from above - choir, organ, believers. Organist for the choir has its own auxiliary staircase. The space the church offers many different spatial shapes, corners and connections. Different heights provide different perception - from intimate prayer alone to experience the Great Assembly.
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