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Political Motives in Dante's "Divina Commedia"
Szkanderova, Marie ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The aim of this thesis is to sumarize the elemets of Dante's political ideas, to order and to highlight them according to the evolution of Dante's political belief was evolving via the Divine Comedy where we can see the beggining of his political opinion, which is slowly taking form as he continues his work until the end when Dante forms his theory completely. Apart from the Divine Comedy which is the main book of this thesis we will also work with his important political treatise De Monarchia, where he gradually explains and defends his opinion. Whole thesis is divided into three key parts according to the evolution of Dante's political ideas; the city, the empire and the papacy. Each part includes brief political and historic context of the medieval Italy and then in each part we will focus on some of the important personalities. We will introduce them in short biographical openings and then with the help of Dante's references we described them, we determined his relation to these personalities and thus we stressed out their political profile and importance. At the end, we summed up the evolution of Dante's political idea and we compared it to the modern era. Powered by TCPDF (www.tcpdf.org)
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Romeo and Juliet before Shakesperae
Szkanderova, Marie ; Pelán, Jiří (advisor) ; Bolletta, Ave (referee)
The aim of this work is to outline the origins of the famous play of William Shakespeare Romeo and Juliet. Almost everybody knows this play. They saw it in the theatre, read it in a book, saw it on television or in the cinema, but only few of them know, that William Shakespeare was only a skilful interpreter of the earlier stories of Romeo and Juliet written in verses or in prose. We will try to arrive to the roots of this story, that does not begin where the names of our two protagonists appear but it starts in the ancient times with the topos of the forbidden love. With the topos of the common grave or at least the desire to be together after the death. From these stories, that begin in the times when the man did not know to write we will move to the era where people started to write down the stories inherited and narrated for centuries in numerous variations until we arrive to the Humanism and Renaissance, that was very fruitful in all artistic experimentation and it was in this period, where our story will be first written with the characters that we know very well. We will stop for a longer time in Italy as the Italians wrote for the first time the story of Romeo and Juliet and we will try to describe the background of the single writers and the differences between the stories of our lovers....
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Political Motives in Dante's "Divina Commedia"
Szkanderova, Marie ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The aim of this thesis is to sumarize the elemets of Dante's political ideas, to order and to highlight them according to the evolution of Dante's political belief was evolving via the Divine Comedy where we can see the beggining of his political opinion, which is slowly taking form as he continues his work until the end when Dante forms his theory completely. Apart from the Divine Comedy which is the main book of this thesis we will also work with his important political treatise De Monarchia, where he gradually explains and defends his opinion. Whole thesis is divided into three key parts according to the evolution of Dante's political ideas; the city, the empire and the papacy. Each part includes brief political and historic context of the medieval Italy and then in each part we will focus on some of the important personalities. We will introduce them in short biographical openings and then with the help of Dante's references we described them, we determined his relation to these personalities and thus we stressed out their political profile and importance. At the end, we summed up the evolution of Dante's political idea and we compared it to the modern era. Powered by TCPDF (www.tcpdf.org)
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