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Cim.2 from the Metropolian Chapter Saint Vitus
Stoneová, Monika ; Kubík, Viktor (advisor) ; Hlaváčková, Jana Hana (referee)
The Gospel Book Cim. 2 from the Metropolitan Chapter Saint Vitus This thesis is about the painting decoration in the Gospel Book Cim. 2 from the Metropolitan Chapter Saint Vitus. This manuscript is not well-known, in fact, it doesn't a name. Up until now, it hasn't been the subject of monographic study, except for basic catalog classification. There is recapitulation of previous specialized literature in the opening and also a brief overview of its historical connections the result of which is there the manuscript following the property of the Metropolitan Chapter Saint Vitus in Prague. My thesis precisely describes the comlete painting decoration in the manuscript which can be found on 39 of the 244 pages of the manuscript. In the chapter "A Summary of the Painting Decoration Analysis Results," I focus on the art origin of the painting decoration in this manuskript and in the following chapter I describe the painting decoration's influence on younger paintings. Keywords: Manuskript, Gospel Book, Iluminated manuscript
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Mural Paintings in Saint Vitus, St. Wenceslas and St. Adalbert Cathedral in Prague Castle Complex from the Times of Charles IV and Wenceslas IV
Stoneová, Monika ; Homolka, Jaromír (advisor) ; Ottová, Michaela (referee)
Resume Mural paintings in the Saint Vitus, Wenceslas and Adalbert Cathedral from Charles IV. and Wenceslas IV. period - Monika Stoneova Subject of this thesis is mural painting at the Saint Vitus, Wenceslas and Adalbert Cathedral. These are fragments of mural painting in six of the thirteen gothic chapels and mosaic at the front face of ceremony south entrance. Chapels are namely Saxon's, Vlasim's, Canon's, Simon's and Juda's, Saint Anne and Saint Wenceslas Chapel. Accordance with existing research, we can divide the paintings at Vlasim's, Canon's, Saxon's and Saint Wenceslas Chapel into two author's ranges. The first artist created paintings in Vlasim's Chapel for archbishop Jan Očko z Vlašimi. There is the painting of St. Otylia christening on the eastern wall and painting of Dolorous Christ and St. Catherine decapitation on the western wall. The Paintings were created between 1378, when Jan Očko z Vlašimi became a cardinal and January 1380, when he died. Lower painting strip in St. Wenceslas Chapel is also attributed to this artist, but considering later overpaintigs it is uncertain. Subject of the paintings is passio Christi, completed with incrustation. Donator of those paintings was Karel IV during 1372 and 1373, after chapel consecration in 1367. Paintings Adoration of Three Kings at Saxon's Chapel...
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Cim.2 from the Metropolian Chapter Saint Vitus
Stoneová, Monika ; Kubík, Viktor (advisor) ; Hlaváčková, Jana Hana (referee)
The Gospel Book Cim. 2 from the Metropolitan Chapter Saint Vitus This thesis is about the painting decoration in the Gospel Book Cim. 2 from the Metropolitan Chapter Saint Vitus. This manuscript is not well-known, in fact, it doesn't a name. Up until now, it hasn't been the subject of monographic study, except for basic catalog classification. There is recapitulation of previous specialized literature in the opening and also a brief overview of its historical connections the result of which is there the manuscript following the property of the Metropolitan Chapter Saint Vitus in Prague. My thesis precisely describes the comlete painting decoration in the manuscript which can be found on 39 of the 244 pages of the manuscript. In the chapter "A Summary of the Painting Decoration Analysis Results," I focus on the art origin of the painting decoration in this manuskript and in the following chapter I describe the painting decoration's influence on younger paintings. Keywords: Manuskript, Gospel Book, Iluminated manuscript
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Mural Paintings in Saint Vitus, St. Wenceslas and St. Adalbert Cathedral in Prague Castle Complex from the Times of Charles IV and Wenceslas IV
Stoneová, Monika ; Homolka, Jaromír (advisor) ; Ottová, Michaela (referee)
Resume Mural paintings in the Saint Vitus, Wenceslas and Adalbert Cathedral from Charles IV. and Wenceslas IV. period - Monika Stoneova Subject of this thesis is mural painting at the Saint Vitus, Wenceslas and Adalbert Cathedral. These are fragments of mural painting in six of the thirteen gothic chapels and mosaic at the front face of ceremony south entrance. Chapels are namely Saxon's, Vlasim's, Canon's, Simon's and Juda's, Saint Anne and Saint Wenceslas Chapel. Accordance with existing research, we can divide the paintings at Vlasim's, Canon's, Saxon's and Saint Wenceslas Chapel into two author's ranges. The first artist created paintings in Vlasim's Chapel for archbishop Jan Očko z Vlašimi. There is the painting of St. Otylia christening on the eastern wall and painting of Dolorous Christ and St. Catherine decapitation on the western wall. The Paintings were created between 1378, when Jan Očko z Vlašimi became a cardinal and January 1380, when he died. Lower painting strip in St. Wenceslas Chapel is also attributed to this artist, but considering later overpaintigs it is uncertain. Subject of the paintings is passio Christi, completed with incrustation. Donator of those paintings was Karel IV during 1372 and 1373, after chapel consecration in 1367. Paintings Adoration of Three Kings at Saxon's Chapel...
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