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The Ideology, the Play, the Secret: The Role of the Slovene Contemporary Fairy-tale in 1945-1975
Slezáková, Magdalena ; Jensterle Doležal, Alenka (advisor) ; Nedvědová, Milada (referee)
The thesis deals with shapes of the Slovene fantastic tale in the 1945-1975's and looks into the roles which have been assigned to it by it's authors. The thesis assumes that during this period, there were three basic types of authorial approach: fantastic tale in the service of the state ideology, fantastic tale as a free play of imagination and fantastic tale with overlap. These three roles are analyzed on the example of nine fantastic tales, most of them being from the literary canon of the Slovene children's literature: Udarna brigada (Anton Ingolič), Zgode in nezgode kraljevskega dvora (Milan Šega), Drejček in trije Marsovčki (Vid Pečjak), Moj dežnik je lahko balon (Ela Peroci), Strah ima velike oči (Marjan Marinc), Kosovirja na leteči žlici (Svetlana Makarovič), Potovanje v tisočera mesta (Vitomil Zupan), Deklica Delfina in lisica Zvitorepka (Kristina Brenkova) and Avtomoto mravlje (Jože Snoj).
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The Ideology, the Play, the Secret: The Role of the Slovene Contemporary Fairy-tale in 1945-1975
Slezáková, Magdalena ; Jensterle Doležal, Alenka (advisor) ; Nedvědová, Milada (referee)
The thesis deals with shapes of the Slovene fantastic tale in the 1945-1975's and looks into the roles which have been assigned to it by it's authors. The thesis assumes that during this period, there were three basic types of authorial approach: fantastic tale in the service of the state ideology, fantastic tale as a free play of imagination and fantastic tale with overlap. These three roles are analyzed on the example of nine fantastic tales, most of them being from the literary canon of the Slovene children's literature: Udarna brigada (Anton Ingolič), Zgode in nezgode kraljevskega dvora (Milan Šega), Drejček in trije Marsovčki (Vid Pečjak), Moj dežnik je lahko balon (Ela Peroci), Strah ima velike oči (Marjan Marinc), Kosovirja na leteči žlici (Svetlana Makarovič), Potovanje v tisočera mesta (Vitomil Zupan), Deklica Delfina in lisica Zvitorepka (Kristina Brenkova) and Avtomoto mravlje (Jože Snoj).
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There and back again: the real and the fantastic world in the Jože Snoj's fantastic tales
Slezáková, Magdalena ; Jensterle Doležal, Alenka (advisor) ; Nedvědová, Milada (referee)
This thesis deals with the question of the two worlds (the real and the fantastic) in the Jože Snoj's fantastic tales. For the context, in first describes the genre structure of the children's prose and quickly reviews the Slovene children's prose in the second half of the 20th century; it also briefly characterizes Snoj's work. Furthermore, it explains the methodology: defines the fantastic tale as a genre (two dimensional storyline, the role of the children and adult characters, distinction between classical and modern fairy tales, double message etc.) and outlines basic problems: plot and storyline; form of the real and the fantastic world; relationship between both worlds and their mutual contact. These questions are analyzed in four Snoj's books: Barabákos in kosi, Avtomoto mravlje, Škorček norček and Palčki so!. Also, the thesis sketches out their thematic and stylistic specifics and, by synthesis, points out the author's main themes (the child and the adult; the man and the nature; the secret of being; the poetry) and the features of his style (playfulness; poetical language; communicativeness).
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