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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Landscape in Kelly Reichardt's movies
 Jirásek, Jakub ; PAVLÍČEK, Tomáš (advisor) ; RAMPAL DZURENKO, Viktória (referee)
This thesis describes the work and inspiration of one of the most significant directors of the American contemporary independent cinema, Kelly Reichardt. The objective is to acquaint the reader with her work, especially with the use of landscape in her movies. The analysis is provided on Wendy and Lucy, Meek’s Cutoff and Certain Women. These movies have been chosen to represent the most important parts of Reichardt’s career.
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ANALOGIES BETWEEN INDIAN AND EUROPEAN AUTHOR´S CINEMA OF THE PERIOD 1960 - 1980
 Rampal Dzurenko, Viktória ; BERNARD, Jan (advisor) ; ŠPAČEK, Radim (referee)
Indian Parallel Cinema is the mixture of Contemporary, Experimental and Art Cinema of India and always consist of low budget. Indian Cinema had started with its first silent film "Raja Harishchandra" in 1912. Indian cinema is often defined as Bollywood or Masala Films of India, since it is also the popular form with its ritual of song, dances and over-the-top melodrama. However, the 60s and early 70s were time of experimentation in the format of storytelling and form in Indian Cinema. Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content, realism and naturalism, which reflected social and politics topics during those times. Indian parallel cinema represents a change of direction or a break with the traditional Indian cinema.
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