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Zdeněk Fibich and his chamber music works
Bartoňová, Anna ; ČEPICKÝ, Leoš (advisor) ; PANOCHA, Jiří (referee)
This thesis is focused on analysis of chamber music works by Czech composer Zdeněk Fibich. Thesis also contains his curriculum vitae. It summarizes the background in the history of Fibich's chamber composition and points to the possibility of accepting Fibich's work as the only purely romantic footprint in Czech 19th century music.
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Orchestr BERG
Janálová, Kateřina ; ČEPICKÝ, Leoš (advisor) ; PANOCHA, Jiří (referee)
This thesis titled orchestr Berg is divided in several chapters. It ´s occupied with founding of the orchestra, speaks about its history, mentions important landmarks (turning points), and enumarates the most significant projects. But first of all this thesis highlights the influence of this ensemble on the Czech musical scene.
As his long - time member I want to point out the exceptionality of this ensemble. And I would like also to give the idea to persons who probably haven´t heard before about the BERG.
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EUGENE YSAŸE – SONATAS FOR SOLO VIOLIN OP. 27 – INTERPRETIVE ANALYSIS OF SONATAS NO. 3, 4, 5
Pěruška, Matouš ; ČEPICKÝ, Leoš (advisor) ; PANOCHA, Jiří (referee)
There have been numerous texts written about Eugene Ysaÿe. In my thesis, I will try to show that although in his six sonatas for solo violin op. 27, there are all the information necessary to play the sonatas well, however, he still leaves the interprets an infinite number of possibilities how to show their fantasy.
Also, I will try to give an insight into the period of the famous Belgian violinist, especially from the violin’s point of view. He set the bar so high, it will be very difficult to surpass.
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Jiří Pauer and chamber works with predominance of stringed instruments
Mazancová, Pavla ; ČEPICKÝ, Leoš (advisor) ; PANOCHA, Jiří (referee)
This thesis titled Jiří Pauer and chamber works with predominance of stringed instruments is divided into three chapters. The first chapter deals with the composer's person, his studies, professions and musical style. The second part consists of listing all of Jiří Pauer’s available chamber works for string instruments. Most of the compositions include the date of creation and first performance, the year of publication and the publisher, an accessible recording, a brief analysis and the origin of the work. The third part includes the memories of his students. In the conclusion I summarize my findings.
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History of the North Czech philharmonic Teplice
Kolařík, Tomáš ; PANOCHA, Jiří (advisor) ; TOMÁŠEK, Jiří (referee)
In his master thesis the author provides a look into the history of The North Czech philharmonic Teplice, the only professional symphonic ensemble in the region of Ústí nad Labem, since 1948 until now. The work is divided into four main chapters. The first one gives an overview about the most significant conductors, which held a position of either a chief-conductor or a deputy. The second, crucial chapter brings an insight to the historical development of the orchestra, its changes and events, from the time of the re-establishment (1948) to the year 2016. In the third chapter, the author mentions the most important information about Ludwig van Beethoven music festival, of which The North Czech philharmonic Teplice is an organizer, and then gives a brief and incomplete list of the festival's seasons. The final chapter marginally sums up the work with the information about a new feature called "orchestra academy", inspired by the main czech orchestras. The thesis is attached with pictures showing the rehearsals and concerts environment in the time course and recent images of the orchestra, which enhance the possible plain and fact-like character of the whole work.
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Stephane Grappelli - life and work, violin technique
Ferenc, Marko ; PANOCHA, Jiří (advisor) ; MATOUŠEK, Bohuslav (referee)
The goal of bachelor thesis on topic „Stephane Grappelli – life and his work, violin technique“ is an attempt to give a closer look on interesting and diverse life of Stephane Grappelli, his various aspects, which had, in a flow of time, influence for the birth of the jazz violin discipline and without any doubts on one of the best jazz violin players in a history. Since his early years in orphanage, influence of his bohemian father, through music school and artistic environment of the parisien Montmartre, followed by his engagement with Gregorians, Quintet of the Hot Club of France, cooperation with Django Reinhardt up to other significant life moments, throughout which, the violin technique, described in the following part of the theses, used by Grappelli during his plays, has been dynamically evolved, and which gaves the solid ground for violin improvisation, which from his work, not tangible and complete in pieces, but a perfect guidance for jazz violinist od today´s era.
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