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Shamanistic principles in the work of modern mime and actor
Kasprzyk, Eliška ; PETIŠKOVÁ, Ladislava (advisor) ; SOPROVÁ, Jana (referee)
The Master’s thesis “Shamanistic principles in the work of modern mime and actor” is concerned with using the shamanistic principles in the artistic, creative process. It deals with the levels of consciousness, that helps the concentration during both, performing and creating and with the importance of a ritual for the individual and a group. It looks into a modern, living theatre, that touches the deep, inner human needs and it mentions the same or similar targets of ritual and theatre.
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Malkovský, Siblík, Podhajská
Nečasová, Natálie ; GREMLICOVÁ, Dorota (advisor) ; PETIŠKOVÁ, Ladislava (referee)
The aim of this thesis is on examples of František Malkovský (1889-1982), Emanuel Siblík (1886 – 1941) and Zdenka Podhajská (1901-1991) follow the activities of Czech dancers in France from 1910 to 1948 and their relations to local artistic comunities and culture. This work deals with each one separetly and it follows their dance activities since their arrival to France until their return to Czechoslovakia, in case of Malkovsky until his last big dance performance. The centre of their dance careers was mostly Paris but also smaller towns all acros the country where Malkovsky and Podhajska organised their dance performances. Impulses for leaving their homeland and also their dance orientations were different. Main sources of this thesis come from Theatermuseum in Wien and from Département des Arts du spectacle (Bibliothèque nationale de France). It is possible to work further on the theme, to include other Czech persons and to take into account artistic aspects of their activities.
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Miřenka Čechová
Janečková, Kateřina ; PETIŠKOVÁ, Ladislava (advisor) ; SOPROVÁ, Jana (referee)
Monographic work focuses on artistic creation Miřenka Čechová, one of the
the leading personalities of our contemporary stagecraft. Her personal and
artistic development started when she began studying dance and continued to
mimic and physical theater. Material presents her contribution to
contemporary Czech scene physical theater and refers to her international
success. Work observes her role like co-founder of physical theaters Theatro
Pantomissimo and Spitfire Company and to presents the work of these
physical theaters and reveals the working and teaching methods in the
preparation of copyright performances.
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Solo scene
Zelinka, Marek ; PETIŠKOVÁ, Ladislava (advisor) ; HALAŠ, Adam (referee)
Solo scene is the topic of this bachelor´s work. It is divided into two parts. The first general part deals with basic terms and concepts associated with performances of various dramatic and theatrical types. The second part is a solo performance research realized on various examples of representative performers and their solo performances across genres. Final summary presents personal evaluation of solo performance possibilities and alternations.
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Antic theather by eyes of Milan Sládek
Biel, Petr ; PETIŠKOVÁ, Ladislava (advisor) ; BENČIK, Juraj (referee)
This work focuses on life, theatre works, and specific point of wiev on antic theather by eyes of the world famous mime Milan Sládek. Discusses about progresion of this significant mime actor life, about his specific acting style, documenting proces of creation inscenation Antigone, reflect audience reaction on this inscenation and finally presenting mistr Milan Sladek in his humane position.
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Dance in the Contemporary Israeli Society
Indráková, Tereza ; STAVĚLOVÁ, Daniela (advisor) ; PETIŠKOVÁ, Ladislava (referee)
In my dissertation Dance in Israeli Society I have tried to describe the position and perception of dance in contemporary Israeli society from the perspective of modern methods of anthropological research. I have used the methods of the work in the field - authentic interviews with Israeli dancers and Israeli choreographers, with the use of publications in English and Hebrew. My observation were focused on modern Israeli society but with understanding the context of the Jewish history and the transformation of the status of dance in Jewish society from the Biblical times, through the period of diaspora until the Zionist ideas that led to the creation of modern State Israel. Context is completed with a reflection on the current problems of Israeli society and a positive role of dance as a the medium in mutual understanding of different social groups in the contemporary society,. I accent the rolraelská kultura, židovské náboženství, izraelská společnost, národní identita, antropologie tance, tělesná kultura, pohybový jazyk, současný tanec, lidový tanec, etnický tanec, tanec v náboženství, Gaga, Feldenkrais, metoda Ilan Lev, Eshkol-Wachman Movement Notation e of dance in building of new modern State Israel and its culture in helping creating new Israeli culture and searching for the Israeli national identity. It also includes an insight into the methods and tools developed in Israel that are unique for the contemporary dance world in Israel,
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Dáša Bláhová
Hradecká, Michaela ; PETIŠKOVÁ, Ladislava (advisor) ; SOPROVÁ, Jana (referee)
This thesis examines life and work of Czech actress Dagmar Bláhová (aka Dasha Blaha or Dasa Blahova) focusing on her specialization in pantomimic clownery. The first part draws attention to personalities of directors and actors who determined her artistic career and style, especially to her cooperation with Boleslav Polívka. During that time, Bláhová created a distinctive type of a female clown and thus put herself among first women within Czech theatre history who broke into a rather male domain of clownery. The second part is about life and work of Russian poetess Marina Cvetajeva whom Bláhová referred to as a source of inspiration for creating and staging of a drama called Marina ? Way to the End. Tha last part discusses a theatre company of the Intime Theatre which was founded by Bláhová. The part focuses especially on a controversial play The Vagina Monologues which was firstly introduced to Czech audience by Bláhová who thus joined artists who support the V-Day global activist movement.
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Czech - French Interaction and its significance for modern Czech pantomime
Vizváry, Radim ; PETIŠKOVÁ, Ladislava (advisor) ; HYVNAR, Jan (referee)
The work examines Czech ? French relations and its impact on modern Czech pantomime after 1945 in three respects. The aim of this work was to create an overview mapping French contacts with leading figures of modern Czech pantomime. The first section is concerned with historical perspectives. Based on the direct testimony of participants, research, and the discovery of yet unpublished archive material, I introduce new facts and verify the historical context during the renewal of interest in pantomime art in Czechoslovakia after 1945. While I was guided by historical events in interpreting this considerable body of material, I endeavored to record and develop the most significant events in broader and deeper contexts. The second aspect of my research focuses on a comparison of individual French mime techniques which have been and continue to be used here. I then attempt to compare these with my own method. I particularly understand them from a practical point of view, as I have learned and mastered these approaches and even adopted some for my own performing and teaching. In the third section, I assess the influence of French mime art on my artistic activity with respect to my teaching practice and own artistic work. This was most evident in the creation of Mesdames & Messieurs, Deburau!, where I played the main character, and while directing the opera Theater Beyond the Gate by B. Martinů.
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Road-show theatre yesterday and today
Těšínská, Tereza ; PETIŠKOVÁ, Ladislava (advisor) ; MAKONJ, Karel (referee)
This work is concentrated on the road-show theatre in Czech lands since half of the 19th century till nowadays. In it I compare the experiences of chosen original road-show companies with my experience from realisation of ?Putování? project, two-months road-show travelling in Czech regions during summer 2012. Its results should be telling, in what is road-show travelling today similar and in what different from original companies.
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