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Czechoslovak insite art
Oberfalcer, Edvard ; Franc, Martin (advisor) ; Krátká, Lenka (referee)
The diploma thesis "Czechoslovak insite art" deals with the topic of the historical and theoretical development of insite art in Czechoslovakia. In the theoretical part attention is paid to the development of the theory and terminology of insite art and its relation to other kinds of art. To provide the richer and highly complex description the thesis also reflects on the historical development in the world and the history of insite art in Czechoslovakia too. The main part of the diploma thesis focuses on two projects of Slovak National Gallery. The first project is an international exhibition "Trienále insitného umenia" which took place three times between 1966 and 1972 in Bratislava. The second project which the organizers of the exhibition made was publishing of "Buletin INSITA" which has become an crucial source of information for this diploma thesis. The next part of the diploma thesis consists of interviews with Katarína Čierna, an art theorist, and with Pavel Konečný, an art collector. The interviews were made by methodology based on oral history which completes and supplements information from literature, archival sources and contemporary press. Keywords: insite art, Trienále insitného umenia, Bulletin INSITA, Štefan Tkáč, naive art, Czechoslovakia, Bratislava, Insitafilm
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Czechoslovak insite art
Oberfalcer, Edvard ; Franc, Martin (advisor) ; Krátká, Lenka (referee)
The diploma thesis "Czechoslovak insite art" deals with the topic of the historical and theoretical development of insite art in Czechoslovakia. In the theoretical part attention is paid to the development of the theory and terminology of insite art and its relation to other kinds of art. To provide the richer and highly complex description the thesis also reflects on the historical development in the world and the history of insite art in Czechoslovakia too. The main part of the diploma thesis focuses on two projects of Slovak National Gallery. The first project is an international exhibition "Trienále insitného umenia" which took place three times between 1966 and 1972 in Bratislava. The second project which the organizers of the exhibition made was publishing of "Buletin INSITA" which has become an crucial source of information for this diploma thesis. The next part of the diploma thesis consists of interviews with Katarína Čierna, an art theorist, and with Pavel Konečný, an art collector. The interviews were made by methodology based on oral history which completes and supplements information from literature, archival sources and contemporary press. Keywords: insite art, Trienále insitného umenia, Bulletin INSITA, Štefan Tkáč, naive art, Czechoslovakia, Bratislava, Insitafilm
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CSSR's insite art interacting with the sociopolitical environment to turn of 60's and 70's
Oberfalcer, Edvard ; Pelánová, Anita (advisor) ; Šafařík, Petr (referee)
This bachelor's thesis called "CSSR's insite art interacting with the sociopolitical environment to turn of 60's and 70's" disserts on the development and status of "insite art" (it is a specific definition of naive art) in Czechoslovakia in 60's and 70's. The introduction of this bachelor's thesis is dedicated to the terminology and characteristics of insite painting. According to the terminological part, the original meaning or more accurately the content of insite art was affected in 60's which means that the term insite art does not mean only pure naive art itself but also for art brut and partly for folk art. Next part focuses on the history and development considering not only insite art, but also art brut and naive art. The main topic of this thesis is whether the insite art was affected by the situation in CSSR in 1968 and what was the attitude of political garniture. The bachelor's thesis is divided into 2 main parts which attempt to answer these questions. The first part deals with an analysis of insite art authors'stories. These stories can answer the question whether the atmosphere in 1968 had an influence on authors'activities or opportunities to exhibit their works. The second part is dedicated to the quantitative analysis of newspaper called Rudé právo that should give an answer...
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