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Mental alchemy
Nováková, Bára ; Vaňous,, Petr (referee) ; Mikyta, Svätopluk (advisor)
The thesis consists of several approaches to the process of visual image creation itself. The approaches vary based on four different experiences, with lived reality. Each of the four stages has its own rules for approaching the image. Each approach includes a different treatment of formats and techniques. Overall, the thesis includes the following media: oil painting on canvas, pencil, crayon, charcoal and pastel drawing on paper, and printmaking (drypoint) on paper. The formats range from approximately 15 × 21 cm to 250 × 200 cm. The main aim of the thesis is to show the different approaches and energies that lead to different starting points for the creation of a visual image. The thesis is therefore a personal search and a detective investigation into what the ideal image should be. What form should the image take? What energy should be brought into the image? What exactly are we mirroring in the image?
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Abstract Drawing
Nováková, Bára ; Zapletal, Aleš (referee) ; Rathouský, Luděk (advisor)
The bachelor thesis consists of five large-format charcoal drawings on paper. The central motif is transformation, its possibilities, forms and ways. The drawings show constant movement and transformation, living matter, the ruling force inherent in the natural elements. The bachelor thesis has an imaginative character and works mainly with abstract morphology. But even though the drawings are abstract, I purposefully work with them in the spatiality and light modeling of objects, as with real things. In a way, the drawings illustrate the processes during which things take shape.
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Abstract Drawing
Nováková, Bára ; Zapletal, Aleš (referee) ; Rathouský, Luděk (advisor)
The bachelor thesis consists of five large-format charcoal drawings on paper. The central motif is transformation, its possibilities, forms and ways. The drawings show constant movement and transformation, living matter, the ruling force inherent in the natural elements. The bachelor thesis has an imaginative character and works mainly with abstract morphology. But even though the drawings are abstract, I purposefully work with them in the spatiality and light modeling of objects, as with real things. In a way, the drawings illustrate the processes during which things take shape.
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